Posts Tagged ‘news’

Greek virtuoso’s latest albums take listeners on a breathtaking journey through ancient Greek mythology

Posted: June 18, 2024 in music
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Greek virtuoso Billy Yfantis invites listeners to delve into the depths of history and mythology by tuning into his latest musical offerings now available on major streaming platforms. These offerings come in the form of two albums, Anagnosis – Homer’s Iliad and  Anagnosis – Twelve Olympians, which explore the 12 ancient Greek gods and Homer’s Iliad.

Music critics say this musical endeavor uniquely combines the haunting melodies of Dungeon Synth with the atmospheres of Medieval and Dark Folk Music, providing a rich, auditory journey through ancient Greek mythology.

Yfantis says this mythology was the inspiration for the albums. He explains that anagnosis means “reading” in Greek, which musically “reads” as the ancient Greek mythology brought to life through epic folk music.

“The first album, Anagnosis – Homer’s Iliad, captures the epic saga of one of the greatest literary works of all time,” he says. “Each track is meticulously crafted to bring to life the intense emotions and legendary events of the Trojan War. From the rage of Achilles to the sorrow of Troy’s fall, listeners are immersed in a timeless narrative woven through melodic and ambient soundscapes.”

https://music.youtube.com/playlist?list=OLAK5uy_nSVNFa2nZqr_AeVNwUcn8oyHR6MEbUrNQ

Yfantis says, his second album, Anagnosis – Twelve Olympians, pays homage to the pantheon of Greek gods and goddesses.

“Each track is a tribute to a different deity, capturing their essence and mythology through atmospheric compositions that transport the listener to the sacred realms of Mount Olympus.”

https://music.youtube.com/playlist?list=OLAK5uy_k83fMtoHXm683170b9VnbnVZ3rdr4gXAM

Billy Yfantis, a Greek amateur music producer since the late 1990s, brings a wealth of experience in tape mixing and sound design to this his latest musical initiative. He reveals he finds his true artistic expression through the ethereal sounds produced by electronic machines. His passion for blending historical narratives with modern music technology results in a unique and captivating auditory experience.

Yfantis and his groundbreaking synthwave initiative Neon Planet musical initiative featured recently in this blog at https://morcanbooksandfilms.com/2024/05/13/billy-yfantis-and-his-groundbreaking-synthwave-initiative-neon-planet-launch-spellbinding-album-lonely-city/

Media representatives and music lovers alike can email him at: Byfantis@yahoo.com

For more information go to: https://www.facebook.com/billy.yfantis

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U.S. film composer Ashsha Kin makes his mark in movie helmed by New Zealand writer-director

Posted: May 24, 2024 in ANNO 2020
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Cinema audiences are resonating with the musical score provided by American film composer Ashsha Kin in Anno 2020, the new-release, award-winning movie written and directed by Tauranga-born James Morcan.

Anno 2020 composer Ashsha Kin.

The Temecula, California-based family man is best known for his work on 1521: The Quest for Love and Freedom for which he completed the audio mix, and the soon-to-be-released Flight 704 for writing the score and providing all audio post-production.  

Kin said he jumped at the chance to do the score for the contentious, Australian-produced, mystery-drama Anno 2020 when its New Zealand writer-director James Morcan approached him.

“I think working with James is the main reason I wanted to be a part of this production,” said Kin.

“James sent me a cut of Anno 2020, accompanied by an audio recording, giving me insight into his style and how he approached filming remotely on Anno 2020. I had such a good feeling about James that I decided to take the opportunity and do the film.  And I am so glad that I did.”

Sydney-based Morcan, who adapted the Anno 2020 screenplay from his published novel of the same name, said he had always envisaged it being a music-driven film. He described Kin as a breath of fresh air in the film industry.

“I found directing this, my first feature, quite stressful at times, but I quickly discovered Ashsha was a calming influence,” he said. “Always humble, he was a positive, mature force that helped the team get to the promised land of film completion.”

Morcan said Kin made an incredible contribution as composer.

“Ashsha achieved the interconnectedness I was seeking all along within the story but didn’t find – until he stepped in and showed me the possibilities through his unique world of sound.”

Kin said looking back on Anno 2020 – the movie and the year – it was all a kind of a whirlwind.

“When I joined the film’s production team, I had about six weeks to write the whole score. I was faced with writing about 40 cues, which was somewhat daunting.

“However, once I got into it and realized that James and I were on the same page, I was able to get into a groove and find a good rhythm.  For me, knowing that the director trusted me with his film went a long way toward easing any worries I had.”

The composer said it was an added bonus that the producers approached him to mix the film.   

“That gave me the opportunity to present the music in a way that reflected how I heard the film.  It also bought me a bit of extra time, allowing me to revisit the music mixes and refine things while working on the mix itself.

“The whole experience was a pleasure from start to finish. James and lead producer Gil Ben-Moshe gave me a great degree of support and trust, and just let me do what I do without trying to control how the work was getting done. They were very receptive to my interpretation of the music for the film.”

Ben-Moshe, of MoneyShot Productions, Sydney, said Kin made an outstanding contribution to the Anno 2020 production, and attaching him was the best decision he and his fellow producers made.   

“Music composition and sound design are both integral facets of the filmmaking process, and Ashsha’s music set the mood and tone for every scene, enhancing the viewer’s experience immeasurably,” said Ben-Moshe.

“A creative genius, he really took the time to understand what the movie, plots and characters were about. His work ethic, professionalism, talent, and attention to detail were tangible in every single piece of music that he composed. Not to mention his ability to convert the director’s vision to screen musically.”

Kin was impressed by Anno 2020’s cast, which includes veteran American actors Kevin Scott Allen (Star Trek, Alias, Prison Break), Sheila Ball (A Prince and Pauper Christmas, Assault On VA-33) and Chinese-American Crystal J. Huang (Dark Feathers) as well as leading Australian actors Erin Connor (Occupation: Rainfall, Dino King 3D) and Greg Poppleton (Last Days of the Space Age, Backtrack and Chronicles of Narnia: The Voyage of the Dawn Treader).

The Californian was also impressed that Anno 2020 garnered awards at various film festivals in 2023/24. These include winning the Titan International Film Festival’s ‘Best Experimental Film’ award in Sydney recently, Quarter-Finalist status in the Best Film category at the International British Film Festival 2023 in London, and an official selection for the Symbiotic Film Festival in Ukraine.

As for Anno 2020 the year as opposed to the film, Kin described it as surreal.

“Professionally I was able to keep working but psychologically having to go through COVID, with all the regulations, vaccines, and lockdowns added to the fear that was kind of everywhere, it really impacted on me and my loved-ones.

“My wife Tina, who is asthmatic, contracted COVID and she took ages to recover. We were constantly worried one of our adopted twin boys Oliver and Charlie, both autistic and only eight, would be struck down. It was a scary time, for everyone, everywhere, and not just for us.” 

Kin said he spent much of 2020 working on music.

“I think music is the most important thing to me in life. Nothing, besides my family, has given me more purpose or ignited more drive in me than writing and producing music. I tend to find solace when writing. At the time, it was my way of washing off all the world.  I approached it sort of like a healing, or at least a recognition that healing was needed.

Ashsha Kin’s studio…where the magic is created.

“I released the tracks that I wrote during that time as an album titled Sacred.  It was inspired by a poem I wrote years ago and is a mixture of electronic beats over ritual ambiences, rooted in native American shamanic folklore.”

Kin’s poem, titled The girl with red streaks in her hair, reads as follows:

I first heard of her from the Indian at the circle of stone.

Her image appeared to me in the mist of the sacred drum,

Conceived from rhythm and light.

Her voice scattered into a million reflections as she whispered in my ear.

“Listen,” she said and then she disappeared.

Carried on the breath of that one word I soared above myself,

Searching the endless sky for another glimpse of her.

Three days turned night before I returned to the circle,

Her gentle voice still echoing in my ears.

“Will I ever see her again?” I asked my Indian friend.

“She is with you now,” he said. And then he smiled, turned, and disappeared. – Ashsha Kin ©

Kin, who has been working in the music and entertainment industry since 1993, said he was drawn to music as a kid.

“I would sit in my room for hours and hours listening to vinyl records, top to back, over, and over.  I started playing piano when I was seven years old, and in middle school I started playing the alto saxophone and continued playing in both symphonic and jazz bands through high school.

“I left college with a BA in Business Management and a BA in Music Recording and Technology, making my living mainly working on game music and sound design as well as writing songs for kid’s toys on various platforms.

“About five years ago, I began putting myself out there, contacting film directors and producers to see if I could find some more challenging projects. Since then, I’ve worked on about 35 projects, including eight feature films, as a composer and audio mixer.”

As for whether he would consider working with Gil Ben-Moshe, James Morcan and the team of Anno 2020 again, Kin was unequivocal.

“Absolutely! Just let me know when we can get started on the next one!”   

Anno 2020 celebrated its world premiere at a sold-out, red-carpet cinema screening in Sydney last month, and it enjoyed an equally successful Victorian premiere in Melbourne earlier this month. The film’s Queensland premiere, another red-carpet event which is shaping up to be yet another sellout, will be held in Brisbane on June 4.

Beyond these interstate cinema screenings, the filmmakers envisage online distribution on major streaming platforms for Anno 2020.

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Ashsha Kin’s website provides interesting insights into his life and his love of music… www.ashshakin.com

The Anno 2020 trailer can be viewed at: www.youtube.com/watch?v=m-gUZc6UH8M   

Anno 2020 IMDb page: www.imdb.com/title/tt13455748/

Ashsha’s IMDb page: www.imdb.com/name/nm1615116/

Anno 2020 film industry site link: www.imdb.com/title/tt13455748/

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Anno 2020’s Aussie producer celebrates sold-out screenings of this Kiwi-helmed movie

Posted: May 18, 2024 in ANNO 2020
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Gil Ben-Moshe, the Sydney-based lead producer of the new-release movie Anno 2020, is riding high after successful red-carpet cinema screenings of this, the first feature film produced by his production company and the first directed by Kiwi writer-director James Morcan.  

The contentious movie, a mystery-drama which provides viewers with a memorable albeit fictional snapshot of the cataclysmic year that was 2020, celebrated its Victorian premiere last week at a sold-out Lido Cinema in Melbourne. That screening was attended by mainly film industry representatives, and it followed the movie’s equally successful world premiere in Sydney last month.

Anno 2020 producer Gil Ben-Moshe.

For Ben-Moshe, the success of the Melbourne red-carpet event and the industry feedback that followed it was further validation that Anno 2020 is a film audiences resonate with.

“The feedback includes dozens of emails from producers and other industry guests, and the common theme is the movie made them think and feel,” he said. “Other filmmakers expressed interest in collaborating with us on future projects, and numerous radio stations, film critics, reviewers and podcasters offered to review our movie.”

The Jewish producer, who is also an actor and who plays the gut-wrenching role of a Sydneysider who must contend with anti-Semitism as well as the COVID lockdowns in Anno 2020, said the success of the screenings to date bode well for the Queensland premiere booked for Brisbane’s Five Star Cinema, in New Farm, on June 4.

“We chose to do an old-fashioned release by staging our cinema screenings first before the movie is placed on various global streaming platforms. Our thinking was this would attract more exposure before streaming, and so far, that’s the case.

“Distribution on multiple streaming platforms was always the endgame for Anno 2020. I honestly believe it was meant for online audiences as they would enjoy the stylistic approach to filmmaking we’ve taken.”

Anno 2020 has already received excellent reviews from accredited film critics, and it currently enjoys a very respectable 9.2 out of 10 stars rating on the respected film industry site IMDb.com.

Ben-Moshe’s twin brother Oren is the other half of MoneyShot Productions. Together, they have a shared love of film that dates back to acting on stage as youngsters during school assemblies.

Producers Gil (left) and Oren Ben-Moshe on the red carpet with their Associate Producer Angela Faria.

“We’d deliver announcements in a comical way in order to maintain students’ attention,” Oren Ben-Moshe said. “Which probably explains our penchant for comedy and comedic acting.”

Gil Ben-Moshe recalled it was after he returned from his gap year, spent in Israel, that he decided to seek acting representation.

“Initially, I spent two years working on filmsets as an extra, just watching other actors and directors collaborate on various television shows, commercials, and movies. Eventually, I landed major roles in TV ads for the likes of Pepsi, Mastercard and Toyota Rav 4 as well as TV shows like Home and Away, Breakers, Heartbreak High and Police Rescue.

“Movie roles included A Difficult Woman and Mighty Morphin Power Rangers: The Movie, and I was cast in more than 40 short films where I really worked on my craft.

“The more experience I gained working on filmsets, the more determined I became to begin my own production company. I decided to join forces with Oren, and we set out to surround ourselves with a crew of talented, dedicated and committed people.

“We’ve had MoneyShot Productions for almost five years now but ran ActionTwins Productions for eight years before changing the name.

“Our primary goal remains unchanged. It is to consistently produce feature films we are proud of. Films that give audiences a genuinely amazing movie experience.”

The twins have certainly experienced the highs and lows of the industry.

In 2003, they flew to the U.S. with the script for a sitcom they’d co-written called Twin Cheeks. After shooting a pilot, they pitched it to major Los Angeles production companies, informing them that they, the Ben-Moshes, would star in it. Around the same time, they finished top seven in a major acting competition in Orlando, Florida, coming to the attention of NBC.

“They (NBC) wanted to meet with us in L.A. to discuss possibilities,” brother Gil said.

“The upshot was they watched our pilot and decided we should have our own TV show. Before they had time to develop it, our U.S. visas expired, forcing us to head to Canada, and then tragedy struck when our father passed away back in Sydney.

“We left for Australia that evening, informing NBC of our departure and effectively ending the prospect of our own sitcom. A missed opportunity perhaps, but we had to farewell our beautiful father in person.”

Ben-Moshe said there were many reasons he and Oren were drawn to producing Anno 2020 – the main one being the challenge it presented as well as the opportunity.

“This is the fourth feature film that Oren and I have participated in together with Anno 2020’s writer-director James Morcan, so we were both very aware of his talent as a filmmaker, especially with storytelling and directing. Even though this film marks James’s directorial debut, he assisted the director on a couple of those earlier movies – namely My Cornerstone and After Armageddon.

“We were mindful of the challenges that would come our way having to shoot a global movie remotely, keeping in mind most of the shoot was conducted during the strict lockdowns and travel restrictions of 2021. How we did it on a microbudget of US$6,000 I’m still not sure!

“Face-to-face auditioning of actors, which is common practice for casting any movie, wasn’t possible due to the enforced isolation of individuals during that stressful period. We had to rely on Zoom calls when auditioning and in the end go with our gut feelings on who to cast.

“As far as filming was concerned, the restrictions imposed prevented us from physically being on set. Except for some of the Australian scenes. Even then, we had to film clandestinely at times.

“We coped overall by being creative and thinking outside of the box. Attaching an iphone onto the top of a camera while filming a Zoom call between separated parties or individuals, for example, was one way we got around not being on set.

“Essentially, that was how James directed our truly international cast with actors spread over four continents. It was via Zoom. Although not conventional or orthodox, it was perfect for what we were trying to achieve.”

Ben-Moshe admitted there were many times he and his cast and crew missed the human touch.

“Physical presence of crew and fellow actors was usually non-existent. It felt bizarre and lonely at times, but it may have been for the better. Film sets are often noisy, busy, and chaotic, so the silence actors felt during takes enabled them to focus solely on their performances.

“I know I experienced my own dysphoria as shooting scenes alone initially felt weird, but I adapted to it and embraced the experience. My fellow actors expressed similar sentiments.

“Shooting on Zoom was the most intimate acting I’d ever done once I overcame that feeling of isolation. There is something unique about it. An indescribable connection, which is hard to explain.”

Despite the challenges he and his fellow actors experienced, he said the acting topped his list of the things he was proudest of.

“Every single cast member worked so hard on developing their character and their role in the movie. I truly believe there are so many performances worthy of an award.

“Kudos for this should go to James (Morcan) who was tasked with directing an international cast remotely on his directorial debut. I can only imagine how difficult that was. His directing produced absolute magic in the actors’ performances.

“James kept emphasizing throughout the shoot that ‘every role needs to be treated as a main role.’ If you ask me, the end result reveals that mantra was quite prophetic. And James would agree with me I’m sure that our cinematographer/editor Simon Carter pulled off some miracles as this wasn’t an easy film to edit.”

Ben-Moshe said next month’s Queensland premiere of Anno 2020, in Brisbane, would be another red-carpet event, and another sell-out looked likely.

“Queensland’s own Erin Connor, who plays a truly memorable role opposite acclaimed Sydney actor Greg Poppleton, will be among the actors and filmmakers present. Guests will be treated to red-carpet photos with the actors and producers, and a screening of the film followed by a Q and A session with cast members and crew.”

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YouTube link to highlights of Anno 2020’s Victorian premiere: https://www.youtube.com/watch?v=bJF0-p2bqDA

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The Anno 2020 trailer can be viewed at: https://www.youtube.com/@ANNO2020TheMovie

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Billy Yfantis and his groundbreaking synthwave initiative Neon Planet launch spellbinding album Lonely City

Posted: May 13, 2024 in music
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Visionary music producer and experimental artist Billy Yfantis, who featured in this blog on March 17 –  https://morcanbooksandfilms.com/2024/03/17/attention-lovers-of-fine-music-greek-virtuoso-vasileios-yfantis-unveils-his-latest-album-cinematic-works-vol-iii/  –  today announced the release of Lonely City, the highly anticipated second album in his groundbreaking synthwave initiative labelled Neon Planet.

Neon Planet is the brainchild of Athens-based Yfantis, bringing what can only be described as a unique perspective to the synthwave genre.

And for those unfamiliar with synthwave (also called outrun, retrowave, or futuresynth) it’s an electronic music microgenre based predominantly on the music associated with action, science-fiction, and horror film soundtracks of the 1980s.

Billy Yfantis…truly a visionary.

Yfantis says Neon Planet’s latest offering delves deep into the theme of loneliness within a futuristic cityscape.

“Lonely City marks the latest chapter in Neon Planet’s journey of sonic exploration, promising an unforgettable listening experience for fans around the globe,” he says. “It builds upon the success of the debut album Cyber City Lights, creating a sound that transports listeners to a neon-lit metropolis of solitude and introspection.”

Listening to the Lonely City album leaves no doubt that Neon Planet continues to push the boundaries of electronic music. Through pulsating beats, ethereal melodies, and evocative soundscapes, it captures the essence of urban isolation, inviting listeners to immerse themselves in a world where the neon glow of towering skyscrapers is the only companion.

The album’s tracklist is as follows:

Cityscape Lullaby / Echoes of an Empty Skyline / Ethereal Urban Echoes / Isolation Dreamscape / Lost in the Neon Haze / Midnight Shadows / Neon Nights in the Lonely City / Neon Trailer Music / Neonscape / Synthetic Solace

“Lonely City is now available on all major streaming platforms, making it easy for fans of synthwave, ambient, and cinematic music to embark on a sonic odyssey unlike any other,” says Yfantis. “For those seeking an escape from the mundane and a glimpse into the future of electronic music, Neon Dreams in the Lonely City is an essential addition to any playlist.”

To listen to the Loney City album go to:

Spotify: https://open.spotify.com/album/7kO0Ch5D6vV0CbHiHiloQk?si=3GZQLqk5S_69_uyJBPp_OA

YouTube Music: https://music.youtube.com/playlist?list=OLAK5uy_mev2oZuHe0DseEKvl7SxEr_VAR_Ttq2Xw

Apple Music: https://music.apple.com/gb/album/lonely-city/1721250477

Links to background information:

Facebook: https://www.facebook.com/billy.yfantis

Instagram: https://www.instagram.com/billyyfantis/

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Introducing MATT’S MOVIE REVIEWS – a superior movie review website with a devoted social media following and strong global audience

Posted: May 9, 2024 in ANNO 2020
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Link

Writer-director James Morcan recently had the pleasure of being the subject of a podcast review conducted by Sydney film critic and entertainment journalist Matthew (Matt) Pejkovic, creator of the popular Matt’s Movie Reviews. The topic: James’ experience writing, directing, and acting in the new-release feature film Anno 2020.

James, who was super-impressed by Matt’s professionalism and knowledge of film, is keen to spread the word about what he describes as a superior movie review/podcast site. Hence this blog post which we hope movie-goers everywhere will resonate with.

Matthew (Matt) Pejkovic…creator of Matt’s Movie Reviews.

Matt has covered the film industry for over 17 years, reviewing the latest film releases, interviewing filmmakers and actors from around the globe, and reporting on the latest news and events in entertainment. And he just happens to have a Bachelors’ Degree in Media Studies as well as a Diploma in Arts Management from the Australian Institute of Music.

Matt’s work as a writer and editor has been featured on popular entertainment websites JoBlo, Collider, and We Got This Covered, as well as print publications FilmInk, The Big Issue, and The Brag. His movie review site, best described as a film-centric entertainment website, also features the Matt’s Movie Reviews Podcast and YouTube channel.

As well as reviewing current theatrical and VOD releases, there’s an emphasis on reviewing a wide range of films from silver screen classics to B-grade cult favourites, and everything in between!

We (James and I) highly recommend Matt’s Movie Reviews to movie fans wherever you are. Membership is free.

There is also the option of becoming an Official Matt’s Movie Reviews Patron for a mere AU$5 a month…

Benefits official patrons receive include:

-One only Fan Request for a review of any feature movie of your choosing (excluding pornography).

-Make a one-off request for Matt to create a Top 10 List on any movie topic of your choosing.

-Exclusive Voting Power Vote in Patreon exclusive polls to determine the creative direction of Matt’s Movie Reviews.

-Take part in exclusive Live Q&A’s and discuss a variety of movie topics.

-New Patrons get a shout-out on the Matt’s Movie Reviews social media platform and the Matt’s Movie Reviews Podcast.

Interested in becoming an Official Matt’s Movie Reviews Patron?

Go to: https://www.patreon.com/user?u=33903624

Other relevant Matts Movie Reviews links:

YouTube: https://www.youtube.com/user/MattsMovieReviews

FB: https://www.facebook.com/mattsmovierev/

X: https://twitter.com/MattsMovieRev

Rumble: https://rumble.com/c/c-1643285

LinkedIN: https://www.linkedin.com/company/matt%27s-movie-reviews.net/

>>> And last but not least here’s the link to Matt’s Movie Reviews podcast interview with Anno 2020 writer-director James Morcan:

https://mattsmoviereviews.net/podcast-602-Anno-2020-director-James-Morcan.html

Enjoy!

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Versatile Australian actress Erin Connor felt she “had” to be part of the film Anno 2020

Posted: April 20, 2024 in ANNO 2020
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News release April 20, 2024:

Australian actress Erin Connor has emerged as one of the standout stars of Anno 2020, the mystery-drama feature film which celebrated its world premiere at a red-carpet screening in Sydney this month.

Erin Connor…drawn to Anno 2020.

The engaging actress, best known for her screen roles in Occupation: Rainfall, When Love Springs, Dino King 3D and The Suicide Theory, plays a depressed and highly stressed wife separated from her onscreen husband Greg Poppleton, the Sydney-based actor known for Backtrack and Chronicles of Narnia: The Voyage of the Dawn Treader.

Connor has a reputation for versatility, but to call her versatile is almost doing her a disservice. Once a champion golfer, she changed careers to film and television, making her mark in feature-length films, short films, commercials, and other projects.

Those other projects include strong advocacy for animal protection and preservation – a throwback no doubt to a childhood spent growing up on a tropical fruit farm near Byron Bay, in New South Wales, surrounded by nature and having a menagerie of animals to look after.

“My mother was the daughter of one Captain Neptune Blood,” she said. “He was a prolific explorer who discovered and studied many animal and plant species, notably in the highlands of Papua New Guinea where my mother and my older sister were both born.”

Connor said she had to be part of the Anno 2020 production when the film’s Sydney-based director James Morcan and lead producer Gil Ben-Moshe, of MoneyShot Productions, approached her.

Billed as a global kaleidoscope of interconnected characters seeking redemption, forgiveness, and answers amidst the chaos of 2020, the movie was shot on a micro budget of US$6,000.

“Anno 2020 drew me in like a magnet,” Connor recalled. “The sheer scope of the project, combined with its unique approach, had me hooked from the get-go. That and the opportunity to collaborate during such a challenging time was simply irresistible.”

She referred to the strict COVID-related lockdowns of 2020 and the fact that the actors were usually physically isolated from each other while the movie was shot in 17 cities on four continents during that most difficult of times.

“Coping with those challenges required a lot of patience and a good dash of creativity, but the warmth and support from everyone involved made it feel like we were all right there together, on set, rather than being separated by oceans in some cases,” said Connor.

“Despite the difficulties, I loved my involvement with Anno 2020. It was such fun I don’t even know where to begin. The bonds formed, the challenges overcome, and the sheer joy of bringing my character to life combined to make it an experience I’ll treasure forever.”

Connor said the highlight for her was the incredible sense of camaraderie that was achieved on set along with the joy of collaborating with such a talented cast and crew. That said, she admitted that slapping her screen husband Poppleton in one dramatic scene was certainly a memorable moment.

As for coping with the challenges of 2020, she said she had to navigate her way, along with many others, through the ups and downs of lockdowns.

“That year (2020) was quite a rollercoaster, wasn’t it? In my case I couldn’t use my Visa to work overseas, and I found it hard not being able to see my aging parents or my siblings and close friends all the while surrounded by the fear of the unknown in such a unique time in the world.

“It really was a test of resilience, but it also brought moments of unexpected beauty and connection in the ‘small stuff’ that happened if you know what I mean.”

Connor’s commitment to Anno 2020, the movie, impressed everyone associated with it – in particular lead producer Ben-Moshe.

“Shooting remotely for the majority of her scenes was a challenge by any measure, but Erin made it look easy,” he said. “She brought much-needed energy to the role she played and the chemistry between her and her co-stars is a highlight for audiences.”

Ben-Moshe said audiences will be moved by her failed marriage to her onscreen husband Greg (Poppleton) as well as her decision to move away from his onscreen niece played by up-and-coming Australian child actress Audrey Nitschke (Wolf Like Me).

“Erin’s performance was always authentic and audiences will be riding every emotion with her as she takes them on an emotional rollercoaster. I really do look forward to working with her again.”

New Zealand-born director James Morcan, who also adapted the film’s screenplay from his published novel Anno 2020, described Connor as a very empathetic, heart-based person.

“That’s part of the reason why she’s such a brilliant actress,” he said. “Whatever scene or whatever role she plays, Erin lives it in the moment. I find her to be one of the most genuine actors in the world and was honoured to work with her.”

Morcan said Connor is not only ultra-professional but is very down to earth and a fun personality to have on a film set.

Connor said she wouldn’t hesitate to work with Anno 2020’s filmmakers again.

“James’s directing was truly something special,” she said. “To see him step into his directorial debut with such confidence and vision was inspiring. He brought out the best in all of us and created an environment where creativity could truly flourish. He is a beautiful person with a sense of calm in his leadership which I believe is the best traits for a director.”

Connor…at home on the red carpet.

In Anno 2020, Erin Connor was surrounded by an award-winning ensemble of international actors. Other cast members include American veteran actors Kevin Scott Allen (Alias, Prison Break and Star Trek: Deep Space Nine), Sheila Ball (A Prince and Pauper Christmas, Assault On VA-33 and By Deception), and Chinese American Crystal J. Huang (Dark Feathers) as well as Jessica Castello (Oildale).

Connor has two upcoming movies, Piggy and Pinball, both to be shot in Melbourne. In Piggy, she will star alongside Robert Morgan (Babylon, Hacksaw Ridge) and Vince Colosimo (Underbelly, The Second); Pinball, which is still under wraps, will be helmed by award-winning writer-director Matt Holcomb.

A Melbourne cinematic screening of Anno 2020 will be held on May 6, and a Brisbane screening on June 4. Beyond these red-carpet events, the longer-term target includes online distribution on major streaming platforms.

Video highlights from the recent World Premiere red-carpet screening of Anno 2020 in Sydney can be viewed at: https://www.youtube.com/watch?v=t_sXNibPrHw&t  

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Selections for Sydney’s second Inner West Film Fest sure to light up the city’s glorious Inner West

Posted: March 26, 2024 in Uncategorized
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Down Under film fans will be delighted to learn tickets are still available for Sydney’s eagerly awaited Inner West Film Fest 2024, which will roll out across Dendy Cinemas, Palace Cinemas, Actors Centre Australia, Marrickville Golf Club and many more locations from April 11 to 21.

You can watch the 2024 festival launch video here at https://youtu.be/CdVH0-9MXfs

Last year’s event started off as a one-dayer, but quickly expanded to four days. This year, festival organisers have more than doubled that. They say that required a lot more scouting around the world for great content.

Their efforts have certainly paid off this time around with a mouthwatering array of offerings for film-lovers with a special focus on comedy.

Festival co-directors Greg Dolgopolov and Dov Kornits said in a joint statement the Inner West Film Fest will kick off with a very special opening night event.

“Under a (hopefully) starry Inner West sky, a free one-off open-air screening will celebrate the much-loved and oft-quoted surprise breakout 2004 indie hit NAPOLEON DYNAMITE, the Jared Hess-directed cult comedy that helped define a generation.”

Dolgopolov and Kornits describe the movie as a deliriously entertaining cult classic and remind fans it recently enjoyed an anniversary screening at Sundance. This deliriously entertaining offering will screen on its 20th anniversary under the stars at Hole 1 of The Marrickville Golf Club.

This Inner West Film Fest programme is packed with Australian content, including festival favourite Goran Stolevski’s latest work, HOUSEKEEPING FOR BEGINNERS, which won the coveted Queer Lion at The Venice International Film Festival.

The Australian Premiere of PAUL FENECH: OUTBACK OUTLAW COMEDIAN, from the creator of FAT PIZZA, HOUSOS, and BOGAN HUNTERS, also offers behind-the-scenes footage and commentary that will have you crying with laughter.

FIGHT TO LIVE is a riveting, profoundly inspiring documentary that follows Aussie Bare Knuckle Fighting champion “Rowdy” Bec Rawlings’ journey from victim to conqueror. It was directed by Inner West resident Tom Haramis who will be a guest of the festival.

HEART OF THE MAN is a poignant exploration of family dynamics, personal growth, and the power of acceptance, as a young boxer finds the courage to follow his own path. Written, directed by and starring indigenous filmmaker David Cook who will also be a festival guest.

Photographer and documentarian Stephen Dupont’s searing, unforgettable documentary KAUGERE: A PLACE WHERE NOBODY ENTERS is a modern-day parable of once tribal men finding their feet through the game of rugby league.

SAHELA, executive produced by Dev Patel and starring Antonio Aakeel and Anula Navlekar, is director Raghuvir Joshi’s debut feature, and captures the complex, fraught emotion of a married man’s decision to confront the traditional Indian cultural values he was raised with.

The Cannes Film Festival success story DÉSERTS, is an epic road movie that winds its way from Casablanca to the South of Morocco Sahara, with gifted actor director Faouzi Bensaïdi (MILLE MOIS, DEATH FOR SALE) at the wheel.

Another Cannes success story, THE SWEET EAST is the stunning directorial debut of veteran indie cinematographer Sean Price Williams (GOOD TIME, HER SMELL, TESLA, MARJORIE PRIME), and provides an ample showcase for heartthrob-du-jour Jacob Elordi (SALTBURN, PRISCILLA), rising star Earl (son of Nick) Cave, magnetic scene stealer Simon Rex (RED ROCKET), and rising star Talia Ryder.

Blazing a trail at The 2023 Sundance Film Festival and SXSW, and scoring the Best Director prize at the Karlovy Vary Film Festival, FREMONT is a tough, but sweetly tempered tale with stunning performances from exciting newcomer Anaita Wali Zada, award-winning man-of-the-moment Jeremy Allen White (THE BEAR, THE IRON CLAW) and actor-writer-comedian Gregg Turkington (ANT-MAN).

The deliriously funny brainchild of comedian, co-writer, producer and star Esther Povitsky, the satirical comedy DRUGSTORE JUNE boasts a side-splitting support cast, including Beverly D’Angelo, James Remar, Haley Joel Osment, Bobby Lee, and executive producers Bill Burr and Al Madrigal.

French high-stylist and stand-alone auteur Luc Besson is back with the highly original DOGMAN, a quirky collision of rich characterisation and hard-edged action to rival the director’s best work in the genre, including LEON, NIKITA and LUCY. Gifted leading man Caleb Landry Jones delivers a masterclass in outsider iconoclasm to match Besson’s bravura moves.

Caleb Landry Jones in Dogman.

And that’s just a snapshot of what’s screening at this year’s Inner West Film Fest!

To view the other cinematic offerings – and better still to order your tickets if you’re likely to be in town (Sydneytown that is) between April 11 and 21 – go to: https://www.innerwestfilmfest.com.au/post/the-2nd-inner-west-film-fest-unveils-this-year-s-full-program-and-it-s-packed-with-laughter-great

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Attention lovers of fine music: Greek virtuoso Vasileios Yfantis unveils his latest album Cinematic Works, Vol. III

Posted: March 17, 2024 in ANNO 2020
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News release: by Lance Morcan, March 17, 2024

Followers of the acclaimed Athenian composure-musician-artist-writer Vasileios (Billy) Yfantis are enchanted by his latest offering, which some have described as a remarkable album set to captivate listeners with its evocative piano compositions.

Yfantis celebrates a guest appearance at the Hollywood Music in Media Awards.

There’s no doubt Yfantis has hit the mark with Cinematic Works, Vol. III, an album one music critic says “transports listeners to a realm of ethereal beauty and emotion”. Another critic describes it as “a dreamy Journey through atmospheric piano music”.

The album marks a significant milestone in Yfantis’ illustrious career. Known for his ability to harness the power of music to paint vivid stories, he has once again delved deep into his creative wellspring to craft a collection of soul-stirring tracks that transcend the boundaries of traditional piano music.

As a successor to his previous critically acclaimed albums, Cinematic Works, Vol. III continues the artist’s exploration of atmospheric and cinematic soundscapes. Each composition is a musical narrative, carefully designed to elicit powerful emotions and imagery.

“The piano has always been my canvas for storytelling,” says Yfantis. “With Cinematic Works, Vol. III, I wanted to create a sonic journey that transports listeners to different worlds, where they can lose themselves in the magic of music.”

Listeners can expect to be spellbound by the musician’s emotive piano performance as he skilfully blends classical and contemporary influences to create a truly transcendent musical experience.

Cinematic Works, Vol. III will soon be available on all major music streaming platforms, including Spotify, Apple Music, and Amazon Music, etc.

Cinematic Works, Vol. III…a dreamy Journey through atmospheric piano music.

• Album • Vasileios Yfantis • 2023 • 50 songs • 3 hrs, 34 mins.

Discography:

1. Vasileios Yfantis – Cinematic Works, Vol. III (Year of Release: 2023)

2. Vasileios Yfantis – Cinematic Works, Vol. II (2022)

3. Vasileios Yfantis – Cinematic Works, Vol. I (2021)

Vasileios (Billy) Yfantis has been working on music since the late 1990s, experimenting with tape mixing and sound design. He holds two Masters Degrees in IT (Information Technology) and is a Ph.D. candidate in the University of West Attica, conducting research on e-government.

Moreover, the Greek maestro has authored books on music, business and science as well as periodically speaking about the electronic governance at scientific conferences Europe-wide.

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Treat yourself and listen to Cinematic Works, Vol. III here: 

YouTubeMusic: https://music.youtube.com/playlist?list=OLAK5uy_lw15Y0Pvwg9lapmuMFUNfVfOSbXASH1Xg

Apple Music: https://music.apple.com/us/album/cinematic-works-vol-iii/1701935166

Spotify: https://open.spotify.com/album/00PQNC58TKwVTQLrW38Y2w?si=4Zv01zbNShey6ma4h3fWBg

Media enquiries:

E-mail: Byfantis@yahoo.com

Facebook: https://www.facebook.com/profile.php?id=100087735953070

Editor’s note: Special thanks to Billy Yfantis from Lance & James Morcan, and all the cast and crew of the soon-to-be-released, mystery-drama Anno 2020, for his generosity in promoting this movie to his legion of followers. Anno 2020, directed by James and produced by Gil & Oren Ben-Moshe, of MoneyShot Productions, celebrates its world premiere in Sydney on April 7.

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Hollywood’s Kevin Scott Allen resonates with starring role in pandemic-inspired movie Anno 2020

Posted: March 16, 2024 in ANNO 2020
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“It’s just another thing the (Covid-19) pandemic took from us — deep, fulfilling, nourishing relationships on the job.”

So wrote veteran American actor, writer, producer Kevin Scott Allen in a guest article published in the Los Angeles Times early in 2021. The article, titled “Wish you were here. With love, your work friend”, was a poignant commentary on the impact the pandemic-enforced lockdowns and social isolation had on himself and on his fellow actors.

Explaining to readers how the isolation impacted upon him personally, Allen, who is best known for his roles in Alias (2001), Prison Break (2005) and Star Trek: Deep Space Nine (1993), said there was a hole in his life the size of the universe.

The emotion behind those words is there for all to see in the soon-to-be released global movie Anno 2020 in which Allen plays the central character of Elijah, a self-styled philosopher who mentors a variety of colorful individuals similarly affected by the lockdowns elsewhere in America and around the world.

Kevin Scott Allen…a central figure in Anno 2020.

Billed as a global kaleidoscope of interconnected characters seeking redemption, forgiveness, and answers amidst the chaos of 2020, the Australian-produced mystery-drama Anno 2020 was shot in 17 cities on four continents during the lockdowns on a micro budget of US$6,000.

The film was produced by Sydney-based Gil Ben-Moshe, of MoneyShot Productions, and helmed by New Zealand born director James Morcan. They both act in it as well with Ben-Moshe playing a major role.

The Anno 2020 screenplay, which Morcan adapted from his published novel of the same name, immediately resonated with Allen. Speaking from his Los Angeles home this week, the respected actor says it mirrored what was going on in the world at the time.

“I was absolutely intrigued by the way it was to be filmed, and by the fact it was a truly global production,” he says. “Not to mention the filmmakers’ boldness and enthusiasm. I was so impressed, I jumped at the opportunity to be part of it.”

Allen describes Morcan, for whom Anno 2020 represents his directorial debut, as an actor’s dream for a director.

“James gave me total freedom to find the character’s voice, and he encouraged me to find my way of conveying the story, giving me full reign to improvise and create my own dialogue. I felt this character sinking further down into my bones with each scene we filmed.”

As for filming during the lockdown while separated from the director, crew, and fellow actors, he said it was as weird as hell not having folks running around on set.

“Being simultaneously on set, so to speak, with other actors on other continents via a mobile phone connection will be a lasting memory for me as will the rapport I quickly established with my terrific onscreen brother Greg Poppleton (The Chronicles of Narnia: The Voyage of the Dawn Treader).

“Filming a desert sequence at magical Whitewater, near Palm Springs, it was only me, the cameraman and his assistant physically on site with the director and producer on mobile phone in Australia. That was a real highlight. It was strangely liberating in that it was more real and I didn’t have to ‘ignore’ dozens of crewmembers during the takes.”

Allen’s decision to join the Anno 2020 cast proved a good one. The film has enjoyed recent success in film festivals – most notably winning the Titan International Film Festival’s ‘Best Experimental Film’ award, in Sydney, Australia, Quarter-Finalist status in the Best Film category at the International British Film Festival 2023, in London, as well as an official selection in the Symbiotic Film Festival in Ukraine.

Allen is currently filming what he describes as a wonderful Matt McClung-helmed, suspense-horror film called Menagerie in which he plays a ghost who haunts a hotel after having died early last century.

In addition to having acquired countless credits acting in film, television and theatre over 30 years, Allen is an author whose books include his non-fiction work Conquering the Film and Television Audition, and the well-reviewed mystery novel Murder Can Be Fatal, recently published by Film Arts Press. He is currently working on two more novels.

Veteran actor Kevin Scott Allen…always at home on the red carpet.

Allen’s biography on Amazon advises readers that he is also a sought-after, on-camera, acting teacher and audition coach. His students’ successful auditions have won them starring roles in films as well as co-star, guest star, and series regular roles on television.

A married man, his “Trivia” page on the international film site IMDb advises, among other surprising revelations, that he went to the same prep school as Ethan Hawke; was schooled in Switzerland; once spoke French better than English; was the very last actor hired/cast in Star Trek: Deep Space Nine; won Best Actor Award at the 2011 Edgemar Short Film Festival for Switchboard; and filmed his first television show was when he was only seven.

Born in Washington, D.C., he grew up in California, Virginia, North Carolina, and New Jersey. He was educated at the Hun School of Princeton and at Collège Champittet, in Switzerland, where he learnt to speak French fluently, and he then studied theatre and dramatic arts at California’s University of Redlands.

In 1979, at the Globe Theatre on Broadway, Los Angeles, Allen played Buckingham in Henry VI, Part 2 and Clifford in Henry VI, Part 3. An early television appearance came in the Otherworld episode “The Zone Troopers Build Men” (1985).

Sydney producer Gil Ben-Moshe says working with Allen was one of the highlights for him on the Anno 2020 production.

“Kevin’s resume extends further than the Great Wall of China as this actor has done it all, and when you see firsthand this exquisite talent at work you cannot be anything but in awe of his status as a first-class actor,” says Ben-Moshe.

“Even more impressive than his enviable talent was his attitude on set. He trusted first time director James Morcan from day one. Kevin’s respectful and humble approach was a lesson to every actor regardless of their experience.”

This wasn’t lost on Morcan who describes Allen as the type of artist filmmakers love to collaborate with.

“Kevin’s able to walk the tightrope of being the sort of actor who completely submerges himself into any character he plays, juxtaposed with having the ability to listen to the perspective of a director and adjust accordingly,” says Morcan.

“Given his career goes all the way back to 1970’s Hollywood and working with such titans of the performing arts as Andy Kaufman, I found it inspiring to observe how Kevin masterfully approaches characterisation, storytelling and the filmmaking process in general.”

Morcan considers Anno 2020 a vignette film.

“It’s a rare type of movie where there are various plots instead of just one. These are told separately, but they all intersect at the end to ultimately become part of one larger story.”

Anno 2020 boasts an award-winning ensemble of international actors. Other cast members include leading Australian Erin Connor (Occupation: Rainfall, Dino King 3D), American veterans Sheila Ball (American Trash and A Prince and Pauper Christmas) and Chinese American Crystal J. Huang (Dark Feathers), as well as up-and-coming Californian Jessica Castello (Oildale), and Australian child actress Audrey Nitschke (Wolf Like Me).

Asked whether he would work with Anno 2020’s filmmakers again, Kevin Scott Allen said he would. “In a heartbeat!”

He adds, “I felt I had a true partner in James (Morcan), not merely a taskmaster. Every scene had a true feeling of creativity, not simply storytelling. It was the same with Gil (Ben-Moshe). Every moment he was on screen I was riveted by his true exploration of the scene and how it affected his character.”

Anno 2020 will celebrate its world premiere at a red-carpet event in Sydney on April 7. Beyond that, interstate cinematic screenings Australia-wide are planned, followed by screenings in New Zealand and possibly the U.S. as well. The longer-term target includes online distribution on major streaming platforms.

The Anno 2020 trailer can be viewed at: https://www.youtube.com/@ANNO2020TheMovie

END

Media enquiries:

Gil Ben-Moshe           Ph. +61 418 219 206      E: moneyshotgil@gmail.com   

James Morcan           Ph. +61 431 981 415      E: jamesmorcan@yahoo.com

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Israeli Special Forces combat soldier doubles as an actress and plays major role in global movie

Posted: February 19, 2024 in ANNO 2020
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Israeli actress Lital Luzon is one of an international array of actors who stars in the soon-to-be-released, award-winning, mystery-drama Anno 2020. However, the multi-talented, 37-year-old, Jewish entertainer is unique in that she also holds the rank of Senior Sergeant Major in the Israel Defense Forces (IDF) and has recently completed a three-month tour of duty combatting Hezbollah insurgents on the Lebanese border.

Lital Luzon…on duty with her Special Forces unit.

Luzon was one of many Israelis directly impacted by Hamas’s incursion into southern Israel from Gaza on October 7. The bloody events of that fateful day saw her called up to rejoin her IDF Army combat squad in northern Israel – her squad being the elite Oketz unit whose members work with dogs and whose responsibilities include recovering missing, captured and sometimes deceased Israelis from combat zones.

As part of the IDF’s Reserve Force, she remains on call for such emergencies.

Speaking from her home in Tel Aviv, Luzon whose two siblings (a brother and a sister) also serve as soldiers, would not provide specifics on her unit’s missions on the Lebanese border other than to say the region is a real hotspot.

“There’s more going on there than people are aware,” she confides. “Much of what’s happening is unreported or underreported.”

Haifa-born Luzon says she began her mandatory military training with the IDF as an 18-year-old.

“Eighteen was, and to this day still is, the age able-bodied Israelis must commit to military training. It’s normally a fulltime, three-year commitment for males and only two years for females unless they (females) try out for acceptance into the IDF’s Special Forces.”

She was one of 10 females who tried out for the Special Forces that year, and she was one of only three or four who qualified. It was a commitment that changed her life in innumerable ways.

“I had my heart set on a career as a professional football player,” she says. “I was a member of Israel’s champion schoolgirl’s team at the time, and we competed for the World Soccer Championship for Schools in China.”

Luzon says she realised a three-year commitment to qualifying for the Special Forces would put paid to any professional football plans. That commitment continues with her having to commit to one month’s military service every year as well as being on call for longer service in conflicts such as the present one.

“I wanted to give something back to Israel. I had, and still have, vivid memories of being afraid with the constant threat of enemy incursions and missiles hanging over us. I often witnessed the bravery of my parents and other citizens, hence my desire to give back.”

Football is but one of many talents this impressive lady happens to possess – acting, singing, acrobatics, dancing and screenwriting being among the others with acting being to the fore.

Lital Luzon…the actress.

After completing her military training, she studied acting for three years, first at Israel’s Nissan Nativ Acting Studio where she was awarded a major scholarship, and then at the Ruth Dytches Acting School where she learned the art of acting in front of a camera.  

Luzon’s acting credits include numerous theatre, television, and feature film appearances, most recently her role in the Australian-produced movie Anno 2020. Helmed by New Zealand director James Morcan, Anno 2020 sees Luzon playing opposite Sydney-based actor Gil Ben-Moshe in a moving portrayal of an Israeli separated from her former Australian lover in the Covid-19 lockdowns of 2020.

The film boasts an award-winning ensemble of international actors. Other cast members include leading Australians Greg Poppleton (Backtrack, The Chronicles of Narnia) and Erin Connor (Occupation: Rainfall, Dino King 3D), US veterans Kevin Scott Allen (Star Trek, Alias, Prison Break) and Sheila Ball (Assault on VA-33), and Shanghai-born actress Crystal J. Huang (Dark Feathers, Staycation).

Anno 2020 will celebrate its world premiere in Sydney on April 7. This red-carpet event follows the movie’s recent success in film festivals – most notably the Titan International Film Festival’s ‘Best Experimental Film’ award, in Sydney last month, Quarter-Finalist status in the Best Film category at the International British Film Festival 2023 in London as well as an official selection in the Symbiotic Film Festival in Ukraine.

For Ben-Moshe, who is also a lead producer of the movie, playing opposite Luzon was a highlight of his acting career.

“Every now and then you meet someone who is special and memorable for a number of reasons,” he says. “For me personally, Lital was that person. From the moment we interviewed her, it was clear to all of us that she was a great find. She added a calm on set, making the experience an absolute pleasure for everyone fortunate enough to work with her.”

Anno 2020 producer Gil Ben-Moshe…on set.

Ben-Moshe’s sentiments are echoed by the film’s Sydney-based director James Morcan.

“Casting Lital was a no-brainer,” says Morcan who made his directorial debut on Anno 2020. “She’s a generous actress who always sets out to deliver great scenes and not just a great individual performance. On set, her sweet demeanour was complemented by her professionalism and indisputable talent, and I look forward to working with her again.”

James Morcan…makes his directorial debut on Anno 2020.

The New Zealand director, who adapted the Anno 2020 screenplay from his published novel of the same name, is also an actor and he goes totally against character to play the role of a staunch anti-Semite and Holocaust denier opposite Ben-Moshe.

For Luzon, she says this movie was, for her, a wonderful, mind-blowing experience, but also quite surreal.

“I’m used to being surrounded by cast and crew members onset. However, because this was filmed at the height of the lockdowns, I was literally alone with much of my dialogue being delivered via Zoom footage. It took me out of my comfort zone. That said, James was so professional and patient. He helped me become a better actor.”

In the here and now, she is co-writing a television series about her IDF experience and is also involved in a new TV network series on how to survive the ongoing conflict in the Middle East.

Regarding Israel’s future, she remains hopeful amidst the turmoil.

“All Israelis want peace,” she insists. “We pray for a speedy end to the hostilities, and I personally look forward to the day when everyone in the region lives together in harmony regardless of race, religion and nationality.”

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Lital Luzon also features in this IDF recruitment video: https://www.instagram.com/p/C2uUcGmtAjq/

YouTube link for Anno 2020 the movie: https://www.youtube.com/@ANNO2020TheMovie  

Anno 2020 film industry site link: Anno 2020 (2024) | Drama, Mystery  

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