Posts Tagged ‘silent fear’

For lovers of crime-thriller-horror novels with a touch of sci-fi here’s Chapter 5 from the upcoming novel Silent Fear — co-authored by the writers of The Orphan Trilogy, Into the Americas and White Spirit.

First, here’s the storyline in brief:

Detective Valerie Crowther is assigned to investigate the murder of a student at a university for the deaf in London. The murder investigation coincides with a deadly flu virus outbreak, resulting in the university being quarantined from the outside world. When more deaf students are murdered, it’s clearly the work of a serial killer. The stakes rise when Valerie becomes the killer’s next target and the deadly virus claims more lives.

Silent Fear – Chapter 5

In the corridor, Valerie and her superior stood side by side, in total silence, waiting for a lift to arrive. The lift doors finally opened and Bennett allowed his subordinate to enter and then followed her inside. The chief hit the Ground Floor button. Before the doors could close, a male student joined them.

“Beat it,” Bennett ordered. “This lift’s full.”

When the student didn’t respond, the chief appeared ready to physically eject him.

Valerie intervened, tapping the student on the shoulder. When she had his attention, she advised him via sign language the lift was required for police business. The student looked annoyed, but exited the lift without argument.

When the lift doors closed, silence prevailed once more.

“Where are we going?” Valerie asked.

“You’ll see soon enough Val…ah…Detective Crowther.”

Valerie took the hint and shut up. The only sound was the hum of the lift descending. As it bypassed the third floor, she caught Bennett observing her in the shiny mirror surface of the lift’s interior. He quickly looked away. Surreptitiously observing him, Valerie thought he’d put on a few extra kilos in recent months. But he carried himself well. His height and build enabled him to hide the extra weight better than most, and he was in pretty good shape for someone his age.

How old are you again? Forty-eight? Forty-nine?

Looking at him now, she could understand why the single girls at New Scotland Yard vied for his attention – and why some of the married girls did, too. Ruggedly handsome, his greying short-back-and-sides haircut was a little too severe for her liking, but she had to admit he still passed muster.

Out of the blue, Bennett said, “I’m going to introduce you to Wandsworth’s chancellor.”

Valerie didn’t respond.

“You’ll like him, he’s a real hoot,” the chief added.

The lift lurched as it arrived at its ground floor destination. Bennett pushed a button, preventing the doors from opening. He turned to Valerie. “We can talk better in here,” he explained. “Okay, fill me in on what you know.”

“Is that an order, Chief?” The look on his face left her in no doubt it was. Putting personal feelings aside, Valerie proceeded to relate everything she’d observed and everything the forensic guys had told her. Her delivery was impersonal, unembellished and totally professional. “Victim’s name, Jamie Lewis. Age, twenty-one. Likely cause of death, burns. Time–”

“Are you saying he was alive when he was set alight?” Bennett interjected.

“Most likely. He received a violent blow to the head prior to being set alight, but it’s unlikely it was delivered with sufficient force to kill him. The autopsy will no doubt confirm that, and it will confirm whether the residue found in his ears is wax.”

Bennett motioned to Valerie to continue.

“Time of death, between ten and midnight last night. Highly combustible accelerant used. Burned hot and fast, but the fire burnt itself out before it could spread. The perp disabled the smoke alarm hence no alarm being sounded. No witnesses, no suspects.”

“Security camera footage?”

Valerie shook her head. “All the fourth floor’s cameras conveniently malfunctioned.”

“Inside job, you think?”

“Maybe.” Valerie still wasn’t convinced about that, and she refused to allow herself to fall into the trap of making any assumptions.

“Murder-arson, eh? The perfect crime.” Bennett looked at her. “Anything else?”

“Conjecture only.”

“Give it to me.”

“The wax residue indicates candles were placed in each ear, which possibly points to a hate crime against the deaf or else some kind of bizarre ritual.”

Bennett considered that. “Or maybe that’s what the perp wants us to think.”

“Exactly.” Valerie punched the Open Door button.

The lift doors opened and Valerie followed Bennett to the chancellor’s office beyond reception.

The ground floor was noticeably busier now. In addition to students and staff members coming and going between lectures, Valerie noticed a number of outsiders, including cleaners and visiting tradespeople.

“I’ve asked the chancellor to provide names and contact details of everyone who visited the building in the past twenty-four hours,” Bennett said as if reading his subordinate’s mind.

T.B.C.

See recent blogs for earlier chapters.

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https://www.goodreads.com/book/show/35626239-silent-fear

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For lovers of crime-thriller-horror novels with a touch of sci-fi here’s Chapter 4 from the upcoming novel Silent Fear — co-authored by the writers of The Orphan Trilogy, Into the Americas and White Spirit.

First, here’s the storyline in brief:

Detective Valerie Crowther is assigned to investigate the murder of a student at a university for the deaf in London. The murder investigation coincides with a deadly flu virus outbreak, resulting in the university being quarantined from the outside world. When more deaf students are murdered, it’s clearly the work of a serial killer. The stakes rise when Valerie becomes the killer’s next target and the deadly virus claims more lives.

 

Silent Fear – Chapter 4

“It’s a nasty business this, Detective Crowther,” the young cop said as the lift stopped at the fourth floor. They had the lift to themselves now, their fellow commuters having deserted them on the floors below.

“Yes it is, Constable,” Valerie agreed, “and it’s Detective Superintendent Crowther.” She usually went by Detective, especially amongst her peers and colleagues, but she liked to keep junior cops in their place whenever the opportunity presented itself.

“Sorry…ah…Detective Superintendent, Ma’am,” the cop corrected himself as the lift doors opened. He’d seen Valerie around New Scotland Yard and he’d heard she could be difficult – a stickler for the rules one colleague had said – and he silently rebuked himself for addressing her incorrectly.

“I can find my way from here thank you, Constable,” Valerie said, stepping out of the lift. She flashed a disarming smile his way before striding off purposefully down the long corridor.

The young cop watched the raven-haired detective admiringly until she disappeared from his line of sight.

Valerie had no problem finding the crime scene. It was hard to miss: Jamie Lewis’s room was cordoned off halfway down the long corridor, a security guard kept worried students at bay while just behind him uniformed police personnel could be seen coming and going. The students were all males, which wasn’t surprising given this floor accommodated the resident male students’ quarters and was off-limits to female students. Naturally enough, the same rule applied in reverse in the resident female students’ quarters on the floor above. Like all rules, they were made to be broken sometimes.

As she walked along the corridor, Valerie noticed the distinctive smell of smoke and lighter fluid still lingered in the atmosphere. It grew stronger as she neared the crime scene.

A makeshift curtain in the form of a strategically-placed blanket hid the room’s interior from prying eyes, which was just as well as the body hadn’t yet been removed. The charred remains of the victim was the first thing Valerie saw when she pulled the blanket aside and entered the room.

Although the image on her iPad had prepared her in advance, and she’d seen many murder victims before this one, seeing Jamie Lewis in the flesh was still a shock. As you’d expect of someone who had been burnt alive, most of his clothing had been incinerated, any remaining skin was blackened and his mouth was wide open as if he was screaming. A scorched eyeball dangled from his left eye socket, and his right cheek hung from his face like the charred wing of a barbequed chicken.

Dear Lord I hope you weren’t conscious when they did this to you.

Jamie lay on his back close to the charred remains of the wooden desk he’d been sitting at. The carpet in the immediate vicinity had been burnt away by the fire, and the laptop he’d been using had been reduced to molten metal and plastic, but that was the extent of the fire damage. Smoke damage was something else: the walls and ceiling had been blackened by smoke before the fire had burnt out.

Returning her attention to Jamie, Valerie’s first thought was this was someone’s son. Her second thought was she was being observed by others and she needed to remain professional. Those others were two forensic detectives who had all but completed their inspection of the deceased and the fire-damaged room. She recognised them immediately despite the disposable coveralls and face masks they wore.

Charlie Hodgson and Mike Peters had been here, under sufferance, since dawn. Under sufferance because they’d both had a late night and they’d missed breakfast.

Valerie acknowledged the pair with a brusque nod and they responded in kind. Both parties had had previous dealings with the other, and neither party was interested in exchanging pleasantries. That suited Valerie just fine, and she immediately went to work. She started by inspecting the victim more closely.

Behind her back, Hodgson, the older of the two forensic detectives, glanced at Peters and raised his eyes toward the ceiling.

“I take it no-one has touched the body?” Valerie asked, studying the nasty head wound Jamie suffered as a result of being struck by a hammer.

“Correct,” Peters confirmed.

“Good.” Valerie noticed wires protruding from a small circular hole in the ceiling where she assumed the smoke alarm once was. Looking around, her eyes settled on what appeared to be the remains of the smoke alarm on the floor nearby. “So our perp removed alarm before torching the victim?”

“Yeah, whoever killed our boy made sure he left us with naught,” Hodgson said.

“And if that isn’t challenging enough,” Peters volunteered, “we have a building full of deaf dumbies to contend with.”

Offended, Valerie looked at Peters critically. She knew him well enough to know he was trying to wind her up. “Any security camera footage?” she asked.

“Na, Murphy’s Law,” Peters said. “The building’s security cameras malfunctioned last night.”

“Malfunctioned everywhere or just this floor?”

“Just this floor.”

“Inside job,” Hodgson said with a certainty that a sceptical Valerie didn’t share.

“We need to get those cameras checked out,” she said.

“A techie’s already on his way,” Hodgson advised.

Returning her attention to the victim, she asked, “Okay, so what can you tell me?”

Deferring to his older partner, Peters let Hodgson do all the talking. Over the next few minutes, Hodgson summed up the results of their investigation while Valerie recorded his summation on a DVR, or digital voice recorder, she’d brought along in her briefcase. She interrupted occasionally to ask questions.

Hodgson’s summation was professional enough, but it was delivered in bored fashion with little enthusiasm. A twenty-year veteran, he’d done it all and seen it all, and he wasn’t thrilled about having to account to some hotshot female detective even if she was considered a rising star in the Met.

When Hodgson finished, Valerie switched off the DVR. She’d sensed the resentment in the other’s voice and manner, but said nothing. Something had caught her attention. Something about the victim’s ears. “Did you check his ears?” she asked.

“His inner ears?” Hodgson asked.

Valerie nodded.

“No that’ll be done during the autopsy.”

Valerie held out her hand to Peters who happened to be closer. “Torch and tweezers,” she said. When the younger man didn’t react quickly enough, she repeated herself and snapped her fingers twice to reinforce the urgency.

Peters hurried over to an open toolkit from which he selected a pen-torch and a pair of tweezers. These he handed to Valerie, and she immediately shone the torch in the victim’s left ear.

Expertly wielding the tweezers, she slowly extracted a blue substance from the ear canal. It was a minute extract. Then she held it to her nose and smelled it. “Candle wax?” she asked, looking up at her colleagues.

Hodgson walked over, studied the substance and eventually shook his head. This was something he’d never struck before. Peters sniffed the substance and was equally perplexed.

A movement behind the makeshift curtain in the doorway announced the arrival of Chief Superintendent Mark Bennett. A broad-shouldered man with a beefy six-foot-five-inch frame, his imposing presence made the small room seem even smaller. How long he’d been there was anyone’s guess. “Team,” he said by way of acknowledgement, his keen blue eyes sweeping over the three of them and taking in the crime scene in one brief moment.

“Chief,” Hodgson and Peters said in unison.

Valerie hadn’t been expecting to see the chief at the crime scene. She’d been led to believe this would be her show. Hiding her surprise, she stood up and addressed the forensic detectives. “If you’ve finished here you can get the body to the morgue… He’s been here long enough.”

The pair both nodded.

Looking on, Bennett had to conceal a smile. The expressions on the faces of the forensic guys reminded him of two naughty schoolboys answering to their teacher.

Valerie added, “Don’t forget to send me the analysis on that possible ear wax as soon as the autopsy’s done.”

“I’m overseeing this case so you’ll need to send the results to me, too,” Bennett said. He began backing out of the room and indicated to Valerie she should follow.

Valerie bit her tongue and followed the chief out into the corridor.

Alone now, the forensic detectives looked knowingly at each other as a tense discussion carried to them from the corridor.

They heard a perturbed Valerie ask, “What are you doing here?”

Bennett was heard assuring her, “It’ll only take a few minutes.”

The voices grew faint as the pair retreated down the corridor, but it was clear they were arguing. The last comment they could decipher was when Valerie said, “Thought I made it clear not to treat me like a bloody rookie!”

Peters turned to his older companion. “Did she say what I thought she fuckin’ said?”

Hodgson nodded.

“What a ball-buster!” Peters muttered.

“CODA.”

“What?”

“Child of a deaf adult,” Hodgson said as if that explained everything.

“Oh,” Peters said. He didn’t think to ask how his colleague knew Valerie was a CODA.

T.B.C.

See recent blogs for earlier chapters

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https://www.goodreads.com/book/show/35626239-silent-fear

 

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Silent Fear (A novel inspired by true crimes)… coming soon!

https://www.goodreads.com/book/show/33590532-silent-fear

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TITANIC director James Cameron waxed lyrical about the future of 3D in a recent BBC interview, stating it’s “absolutely inevitable that entertainment will all be 3D eventually”.

Cameron sees bright future for 3D

If he’s right, this bodes well for our British thriller SILENT FEAR, which is to be shot on location in London next year. It’s likely to be released in the three-dimensional format.

However, depending on who you talk to, it seems the jury’s still out on the future of 3D in movies.

In an interesting report in Indiewire.com’s The Playlist this week, columnist Kevin Jagernauth says the 3D format has been taking some blows at the box office, with North American crowds favoring regular old 2D for the majority of their viewing experience.

Here’s some excerpts (abridged) from that report:

To 3D or not to 3D, that is the question, and lately…the format has been taking some blows at the box office, with North American crowds favoring regular old 2D for the majority of their viewing experience. This summer, only 25% of total domestic ticket sales of Dreamworks’ animated film “Turbo” came from those uncomfortable glasses, with 31% of sales for “Monsters University” in 3D, and only 34% for Brad Pitt’s biggest grossing movie ever, “World War Z.”

Brad Pitt plays Gerry Lane, an ex-UN investigator

World War Z’s 3D sales down

But don’t tell that to James Cameron, who sees only a bright, three-dimensional future for the format…

Chatting recently with the BBC, the director made it clear that 3D is here to stay. “For me it’s absolutely inevitable that entertainment will be 3D, it’ll all be 3D eventually, because that’s how we see the world,” he said, adding: “When it’s correct and convenient for us, we pre-select for that as the premium experience.”

Avatar an Oscar star

From an industry perspective, he (Cameron) points to the fact that three out of the last four Cinematography Oscars went to 3D movies (“Avatar,” “Hugo” and “Life Of Pi”). And though he acknowledges that “bad conversion” has “polluted” the experience for man—not to mention a handful of cable networks dropping channels broadcasting in 3D recently—Cameron ultimately believes the technology, product and consumer desire for 3D will all dovetail eventually into a perfectly synchronized harmony of success.

And while Cameron’s comments might seem wildly out of touch with what audiences are clearly voting for at the box office, it should be noted that overseas 3D is still huge, with 80-90% of tickets moviegoers in Russia and China choosing to put on the glasses. And as long as that’s the case, 3D isn’t going anywhere…

…There is probably no bigger cheerleader on the planet for 3D than James Cameron, but he’s also been the loudest voice when it comes to half-hearted, unartistic use of the format…

…”I do not think Hollywood is using the 3D properly…because it is automatic. For example, ‘The Man of Steel,’ ‘Iron Man’ and all those movies should not necessarily be in 3D. If you spend 150 million on visual effects, the film is already going to be spectacular, perfect.” You would think that the same logic would apply to Cameron’s already expensive “Avatar,” but it was shot in 3D, whereas the superhero flicks were conversion jobs, and that’s where the difference lies.

“One thing is shooting in 3D and another to convert to 3D. After ‘Avatar’ changed everything, good and bad movies, everything has to be in 3D since ‘Avatar.’ The problem I see now is that instead of it being a filmmaker issue is a matter of the studios to make money and are pushing 3D to directors who are not comfortable or do not like 3D,” Cameron elaborated.

For the full article go to: http://blogs.indiewire.com/theplaylist/director/james-cameron

 

Footnote: SILENT FEAR’s New Zealand producers Brent Macpherson, of Stretch Productions, and Ronel Schodt, of Shotz Productions, welcome expressions of interest from A-List directors as well as from experienced British producers interested in collaborating on this highly commercial feature film project.

http://pro.imdb.com/title/tt1935228/

http://stretchproductions.co.nz/

www.shotzproductions.co.nz

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Here’s our teaser trailer for SILENT FEAR: http://youtu.be/Ll9O9dedd44

When you can’t hear……death comes silently.

Scotland Yard detective Valerie Crowther is assigned to investigate the murder of a student at London’s Wandsworth University for the Deaf. Her investigation coincides with a student contracting a deadly flu virus, which results in the university being sealed off from the outside world. When more deaf students are murdered, it’s clearly the work of a serial killer. The stakes rise when Valerie becomes the killer’s next target and the deadly virus claims more lives.

The video teaser above is a re-enactment of the first brutal murder.

Inspired by the murders of two deaf students at America’s Gallaudet University for the Deaf in the early 2000’s, SILENT FEAR is a chilling, claustrophobic thriller set in London. The screenplay is by Lance & James Morcan, of Morcan Motion Pictures.

New Zealand producers Brent Macpherson, of Stretch Productions, and Ronel Schodt, of Shotz Productions, are aiming to shoot SILENT FEAR on location in London as a likely 3D production in 2014.

The producers welcome expressions of interest from experienced British producers interested in collaborating on this highly commercial feature film project as well as A-List directors.

http://pro.imdb.com/title/tt1935228/

http://stretchproductions.co.nz/

www.shotzproductions.co.nz

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Our upcoming 3D feature film SILENT FEAR is underway!

The contracts have been signed off to produce a stunning multi-million dollar 3D feature film, SILENT FEAR, a claustrophobic British thriller which is in development now.

Pictured celebrating the formalising of contracts are (above from left) the Producers Brent Macpherson, of Stretch Motion Pictures, and Ronel Schodt, of Shotz Film & Video Productions, screenwriter Lance Morcan, and Sam Manuatu, New Zealand Sign Language interpreter for the meeting. Absent was Sydney-based screenwriter James Morcan.

Brent and Ronel are currently working feverishly behind the scenes and will announce major developments accordingly. An official New Zealand-UK co-production is likely for this production.

Inspired by true events, SILENT FEAR has the makings of a chilling murder-mystery thriller.

Here’s our logline for the film:

Detective Valerie Crowther is assigned to investigate the murder of a student at London’s Wandsworth University, an international institution for the deaf. Her investigation coincides with a student contracting a deadly flu virus, which results in the university being sealed off from the outside world. When more deaf students are murdered, it’s clearly the work of a serial killer. The stakes rise when Valerie becomes the killer’s next target and the deadly virus claims more lives.

Stretch Motion Pictures will launch a website with additional information relating to SILENT FEAR in due course – at: www.stretchproductions.co.nz

Watch this space for more updates about this exciting feature film production! -Lance & James

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I just finished filming OZ-Bollywood feature films MY CORNERSTONE and LOVE YOU KRISHNA, which I wrote the screenplays for and acted lead roles in. We filmed both features simultaneously. It was a massive job and sleep has been at a premium of late! We just finished the Indian leg of the shoot in Mumbai after filming for two months before that here in Sydney. -James

James on the set of LOVE YOU KRISHNA.

 

Here are the IMDb links for both films:

MY CORNERSTONE: http://www.imdb.com/title/tt2527256/

LOVE YOU KRISHNA: http://www.imdb.com/title/tt2496488/

More news about these two films to follow!

 

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Producing quality films

For an overview of Morcan Motion Pictures click on:

http://www.imdb.com/company/co0239052/ or http://pro.imdb.com/company/co0239052/

or go to:

http://www.youtube.com/user/MorcanMotionPictures