Posts Tagged ‘sci-fi novels’

Win one of three paperback copies of Silent Fear (A novel inspired by true crimes) – the new release novel they’re all talking about – on Goodreads.com

 

Silent Fear (A novel inspired by true crimes)

Scotland Yard detective Valerie Crowther is assigned to investigate the murder of a student at a university for the Deaf in London, England. The murder investigation coincides with a deadly flu virus outbreak, resulting in the university being quarantined from the outside world. When more Deaf students are murdered, it becomes clear there is a serial killer operating within the sealed-off university. A chilling cat-and-mouse game evolves as the unknown killer targets Valerie and the virus claims more lives.

 

Enter giveaway via https://www.goodreads.com/giveaway/show/256535-silent-fear

Entries close October 15.

Open to residents of US, CA and UK.

To see advance reviews of Silent Fear  visit: https://www.amazon.com/dp/0473408120

 

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Detective Valerie Crowther, the feisty heroine of our new release crime-thriller Silent Fear, is not one to mince her words. Here’s a random selection of statements our Val makes in the course of the novel…

“Don’t say I didn’t warn you!”

“Now I have a serial killer and a killer virus to contend with!”

“Last I heard being gay doesn’t automatically mean you’re a serial killer.”

 

Detective Valerie Crowther Valerie Crowther

Our Val.

 

“This plonker’s going to be the death of me!”

“You can’t be serious!”

“Where do they get these guys?”

“Who do these bastards think they are?”

“All I wanted was a nice quiet life!”

You’ll have gathered by now that our Val is not to be messed with. Her feistiness is nowhere more evident than when she’s attacked by rebellious deaf students intent on escaping the deadly quarantine they’ve found themselves caught up in. Here’s an excerpt from that action-packed event: https://morcanbooksandfilms.com/2017/09/15/valerie-takes-on-a-serial-killer-and-a-killer-virus-in-thriller-novel-silent-fear/

As you can see, Detective Valerie Crowther really does kick butt in Silent Fear.

Reminding you the Kindle eBook version is available via Amazon Pre-0rders and will be auto-delivered to buyers’ Kindles on October 31st via: https://www.amazon.com/dp/B075HRYTVC/

 

Silent Fear (A novel inspired by true crimes)

The paperback is available now via https://www.amazon.com/dp/0473408120

 

Here is Valerie’s character page on Goodreads: https://www.goodreads.com/characters/…

Bloggers and reviewers note! ARCs (advance review copies) of Silent Fear  are available via this link: https://goo.gl/forms/Dv7GH9oJVAKLuRM23

 

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The new release crime-thriller Silent Fear (A novel inspired by true crimes) resonates with the critics if early reviews on Amazon are any guideline. Reviews to date are all five stars.

 

Product Details            Product Details

     The (Pre-order) Kindle eBook.                The paperback…available now!

 

Silent Fear  is the latest novel by Lance and James Morcan, co-authors of the international thriller series The Orphan Trilogy  and the historical adventure novels White Spirit and Into the Americas. The paperback is available now via Amazon; the Kindle eBook version is available via Amazon Pre-orders and will be auto-delivered to buyers’ Kindles on October 31st.

 

Here’s what Amazon reviewers are saying about Silent Fear:

★★★★★ “Silent Fear is a thriller unlike any you’ve read before…I highly recommend (it) for anyone who enjoys books that incorporates interesting characters and a story-line that is not only entertaining, but also will touch upon our basest fears.”-Ila in Maine

★★★★★ “Whoa! What a ride. Excellent book, well constructed, and with brilliant delivery. Great to have a female lead character who is: clever, resourceful, and adaptable. And love requited – or is it? Loved it. The re-romance of the central characters was engaging…(a) bewitching book.”-Jonno

★★★★★ “The premise of this book alone is extremely enticing and original, which means my expectations were high from the start, but boy, do the authors deliver!… It’s superbly written, and there are plenty of red herrings and clues throughout to make you try to guess who the killer is, only for you to then completely change your mind a few pages later.”-Amazon Customer

★★★★★ “Can you hear me now? What a great story! I didn’t figure out who the killer was until the last chapter, and it still had a surprising twist! I had to read the book in one sitting!”-bccopanos

★★★★★ “Spellbinding! I couldn’t put it down…The characters are very realistic and are described so well, they take root in your mind and become alive. The plot has so many twists and turns. Just as you think you have it figured out, they throw another twist in which sets you off in a different direction.”-P. Blevins

★★★★★ “This was a thrilling and captivating novel. Suspenseful, full of twists and engaging from start to finish. Also love how the authors have written about the deaf community as they are an underrepresented minority in current reading markets…A stunning, atmospheric murder mystery, with its riveting combination of the claustrophobia of the situation combined with unrelenting fear.”-Amazon Customer

★★★★★ “Excellent thriller. Simply Splendid…‘Silent Fear’ is right up there as one of my favourites…Hands down this is a wonderful book, and well worth a read.”-Todd Simpson, Top Ranked reviewer Amazon Australia

 

Silent Fear  is available via Amazon as a Kindle Pre-order book (launch date October 31) via https://www.amazon.com/dp/B075HRYTVC/

The paperback version is available now via https://www.amazon.com/dp/0473408120

Bloggers and reviewers note! ARCs (advance review copies) of Silent Fear  are available via this link: https://goo.gl/forms/Dv7GH9oJVAKLuRM23

 

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UK author and reviewer Harry Whitewolf has posted the most insightful review yet of our new release thriller Silent Fear (A novel inspired by true crimes) on the literary site Goodreads.com so we have opted to run it in full – and here it is:

 

The premise of this book alone is extremely enticing and original, which means my expectations were high from the start, but boy, do the authors deliver!

There are three main facets to this story:

1) It is a whodunnit mystery thriller, where the main protagonist, detective Valerie Crowther tries to track down a serial killer who’s targetting deaf students at a world-renowned university.

2) There is a worldwide virus known as Monkey Flu which is killing hundreds of thousands of people. The U.K has escaped the epidemic until there is a breakout at the very uni Crowther is conducting her investigations, so the school soon becomes quarantined and shut off from the outside world.

3) The story is a great insight into the deaf community.

Combining these three facets makes for an exciting and interesting read. At first, I was a little cautious at embarking on an 800 page story, but I needn’t have worried. It doesn’t feel like a long book at all, and the authors are so adept at breaking up the scenes and the various tangents, and pacing it so well, that I didn’t feel like I was reading a mammoth book at all. I’d thought it would probably take me a couple of months to get through it, but I raced through this in a week. Like all clever and well written thrillers, there are enough cliff-hanging chapters and side stories which made me think I’d just read one more chapter and then before I knew it, I’d read another fifty pages. So don’t let the length of this book put you off at all – it’s exactly the right length that the book needs to be – especially when it’s effectively combining two stories in one (the outbreak of the virus and the whodunnit mystery).

It’s superbly written, and there are plenty of red herrings and clues throughout to make you try to guess who the killer is, only for you to then completely change your mind a few pages later.

There are also plenty of other side stories going on, such as – unexpectedly – Satanic rituals, and the personal stories of the characters. And man, for a book with so many characters (as there needs to be), the authors make it such an easy read to follow who’s who and to have such solid, well-rounded, believeable characters. There are the students – who are a vast array of different types, including some punkish ruffians, there’s the main protagonist Crowther; and her Superintendent ex husband on the outside, there are two news reporters who have bluffed their way into the school and who soon find themselves being quarantined with the rest and becoming the eyes and ears of the media, there are… so many engaging characters with their own stories – and they are all effortlessly portrayed well throughout.

Even the opening scene in the prologue is exceptionally brilliant – it feels like a classic scene from a classic film: where the killer is taking care in bricklaying a wall to conceal his first victim behind it. The attention the killer has to using three parts sand, one part cement and the skill of angling his trowel, with little thought towards the fact that he’s just killed someone in cold blood, is the perfect introduction to a disturbed psychopathic mind. Not to mention that he also then masturbates upon finishing the job.

And knowing that this book is going to be made into a film, I can already see that scene being chillingly played out as clear as mud.

No way will you figure out who the killer is, but you’ll enjoy trying to figure it out. I can guarantee it.

This is such a meaty book, that I could go on for another thousand words detailing just how well it’s all been put together and how well it’s been written, but this review is already turning out to be a long one, so I’ll leave it on this point:

Not only is this a great epidemic-sci-fi and mystery thriller, it’s also a fantastic insight into the deaf community, and it’s very apparent how much research has gone into this book. Reading the afterword from the authors’ consultant makes this clear, and it’s good to know that the writers have gone to lengths to show a very realistic portrayal of that community. Forget the whodunnit and epidemic stories, this book works just as well at being a much needed insight for hearing people into a community we may not know much, or anything, about. As their liaison Brent Macpherson says in the afterword:

“Silent Fear is one of the few mainstream novels to address the unique challenges faced by members of the Deaf community in any great detail. As a member of that community, and as someone who has been Deaf since birth, I believe this book is an important addition to the dearth of literature that exists about Deaf people and Deaf culture.”

Harry Whitewolf is the author of several acclaimed books, including The Road To Purification: Hustlers, Hassles & Hash  and Matrix Visions.

 

To see all the reviews of Silent Fear go to Goodreads: https://www.goodreads.com/book/show/35626239-silent-fear

 

Silent Fear (A novel inspired by true crimes) by [Morcan, Lance, Morcan, James]

Amazon pre-orders for this book open now.

https://www.amazon.com/dp/B075HRYTVC/

 

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Media Release – September 19, 2017: A new thriller novel to be launched on Amazon next month was inspired by the true-life murders of students at Gallaudet University, one of the world’s premiere learning institutions for the deaf and hard of hearing, in Washington, D.C.

Silent Fear (A novel inspired by true crimes), by New Zealand father-and-son writing team Lance and James Morcan, has been dedicated to the many millions of deaf people around the world and was written under the guidance of one of the world’s leading deaf storytellers working in film, television and other creative mediums.

The actual crimes that provided the inspiration for the novel occurred at Gallaudet University between 1980 and the early 2000’s.

Image result for gallaudet university

Gallaudet University…scene of three student murders.

The 1980 murder saw one student stab another to death on August 16th of that year. The ‘dual’ killings two decades later gripped America from the time of the first of those murders until an arrest was made following the second some five months later. Washington Metropolitan Police didn’t know if these were ‘inside jobs’ and for a time nearly everyone connected to Gallaudet was under suspicion.

When the Morcans learned of the murders a decade ago, they came up with the idea of a novel set in a university for the deaf. It has, they say, been a labour of love ever since.

Speaking from his home in Papamoa, New Zealand, Lance Morcan says while Silent Fear  could have been set just about anywhere in the civilized world, he and his son chose to set it in London.

“We felt the thriller genre suits London,” he says. “This story has a very British feel to it and we set it in the upmarket Royal Borough of Kensington and Chelsea.”

Morcan says members of Gallaudet’s senior staff are aware of the upcoming novel and requested an advance reading copy of the manuscript. No comment on the novel has been received back from them at the time of writing.

“Writing Silent Fear certainly presented challenges as neither James nor I were familiar with deaf culture or with the unique issues facing members of the deaf community. To this end we owe a debt of gratitude to deaf filmmaker Brent Macpherson, our number one collaborator, who figuratively held our hands throughout the entire lengthy endeavour.

“Brent educated us on the unique challenges facing the deaf community and he corrected potentially embarrassing errors in our portrayal of deaf and hard of hearing people. His commentary on Silent Fear from a deaf reader’s viewpoint is included at the end of the book.”

The premise of Silent Fear, in brief, is:

Scotland Yard detective Valerie Crowther is assigned to investigate the murder of a student at a university for the Deaf in London, England. The murder investigation coincides with a deadly flu virus outbreak, resulting in the university being quarantined from the outside world. When more Deaf students are murdered, it becomes clear there is a serial killer operating within the sealed-off university. A chilling cat-and-mouse game evolves as the unknown killer targets Valerie and the virus claims more lives.

The paperback version of Silent Fear  is scheduled for publication on Amazon on October 1. The Kindle ebook version is available now via Amazon’s Pre-order Program, and will be auto-delivered to buyers’ Kindles on October 31.

The Morcans, who are also screenwriters and filmmakers, are, in league with Macpherson, developing a feature film adaptation of Silent Fear. The following trailer promotes the novel and planned film: https://www.youtube.com/watch?v=-8bv1vbQxYo

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Media information:

The Amazon link for Silent Fear  is: https://www.amazon.com/dp/B075HRYTVC/

Silent Fear (A novel inspired by true crimes) by [Morcan, Lance, Morcan, James]

ARCs (advance review copies) of this novel are available now via the following link: https://goo.gl/forms/Dv7GH9oJVAKLuRM23

 

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In a quarantined university for the deaf, there’s a serial killer and a deadly airborne virus.

Don’t blink. Don’t breathe.

Silent Fear (A novel inspired by true crimes)

Silent Fear (A novel inspired by true crimes) by [Morcan, Lance, Morcan, James] 

Available now for pre-order now on Amazon.

https://www.amazon.com/dp/B075HRYTVC/

 

Enjoy the Silent Fear  trailer for the book and planned feature film: https://www.youtube.com/watch?v=-8bv1vbQxYo&t=1s

 

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For lovers of crime, thriller, mystery novels with a touch of sci-fi here’s the Prologue for our upcoming novel Silent Fear.

First, here’s the storyline in brief:

Detective Valerie Crowther is assigned to investigate the murder of a student at a university for the deaf in London. The murder investigation coincides with a deadly flu virus outbreak, resulting in the university being quarantined from the outside world. When more deaf students are murdered, it’s clearly the work of a serial killer. The stakes rise when Valerie becomes the killer’s next target and the deadly virus claims more lives.

 

Prologue for Silent Fear

A solitary figure sweated profusely as he toiled away, unconcerned by the confined space of the basement he worked in or by the wooden floorboards that formed a ceiling just a metre or so above his head. Claustrophobia, it seemed, wasn’t an issue. Stretched out full length on the concrete floor, he worked by the light of a torch he’d left resting beside him. His full attention was on filling a hole, brick by brick, in a wall that dissected one corner of the basement.

It was a painstakingly slow process. He was a thinker and a planner, not a bricklayer or labourer. Even so, he understood the basics of bricklaying and he was blessed with a certain amount of natural strength, and this was helping him now. To protect his hands, he wore a pair of snug-fitting, black, leather gloves not unlike driving gloves.

A little research was all it had taken to familiarise himself with the rudiments of bricklaying. The upshot was he used quick-mix cement. Three parts sand to one part masonry cement. That’s what the supplier’s instructions had stated, but he’d added an extra spadeful of cement for good measure because he felt it needed that.

The instructions also advised using fine-grade masonry sand and fresh masonry cement preferably from an unopened bag. That he hadn’t managed because he didn’t want to be seen purchasing the product, and so he’d had to use what was available. And what was available was a half-used bag of course-grade masonry. Touch wood, it was doing the job – so far at least.

“Mix only what you need” the instructions had read. He’d estimated half a wheelbarrow-full would do it with some to spare, so that’s the amount he’d mixed. Because of the basement’s low head-clearance, he’d had to pour the mixture into buckets – six of them – and drag them one at a time to his cramped workplace.

Two extra trips had been required, including one to fetch a bucket of water. He was using the water to keep the cement from setting before applying it. The other trip had involved dragging the object he was now concealing from a room on the lower floor of the building directly above his head. That had required the most effort as the object weighed almost as much as he did.

The instructions had also recommended the addition of lime to the mixture – “to bond and strengthen the stonework you are building,” according to the supplier’s instructions. He didn’t have any lime, and that had bothered him initially. Now, as he saw how well the cement was bonding with the bricks, he relaxed a little. Easy, he thought. Like learning to walk.

He was quite proud of his trowelling technique. It improved with the laying of each brick, but it was tricky and he found he had to focus.

“Hold the trowel at a ninety degree angle,” he’d been advised, but he had quickly discovered ninety degrees was a bit too ambitious in the confined space. It wasn’t as if he could work standing up. Lying down, seventy degrees was the best he could manage with the trowel, but that was sufficient.

The main challenge, he’d discovered, was ensuring the quick-mix cement in the buckets didn’t set before he could apply it. Premature setting was only avoided by regular application of water, which he dispensed by using his trowel to transfer small amounts from the water bucket to the other buckets and then giving their contents a good stir. It required some effort, and despite the basement’s cool temperature he found he was sweating more with each passing minute.

Ever so gradually the hole in the brick wall grew smaller as he laid more bricks.

Despite what was at stake, he worked at a leisurely pace, all the while thinking. That was something he did a lot these days. Thinking, that is.

The hole was now so small he could hardly see the object he was concealing. Only the deceased’s face was visible, covered by the transparent plastic bag he’d used so effectively to cut off the other’s air supply just thirty minutes earlier.

He smiled at the memory of the deceased’s final moments. Those last seconds when the young man had recognised his attacker and realised he was about to die.

Beautiful…like poetry in motion…slow motion.

Oh how he loved the exhilarating, orgasmic-like feelings he’d experienced as the life of another was snuffed out. He willingly embraced them as he relived the moment. It was as if the helpless young man before him was still dying.

Studying the deceased now, or what he could still see of him at least, he recalled how he’d laughed uproariously just before death came to his victim. The visuals replayed over and over in his mind. He remembered how the veins in the young man’s eyeballs, face and neck appeared to burst as he was deprived of air, and how fragile he’d looked – like a child being tortured.

The icing on the cake had been when he’d used his hands to communicate a final message via sign language. He could still see the look on his victim’s face when, seconds before death came, he realised what was being communicated to him. It was a look of total horror, which was somehow more accentuated when viewed through the transparent plastic bag. That had made this killing even more satisfying.

What he had communicated was simple yet definitive: “Game over!”

As he relived what happened, it felt like every cell in his body was jumping for joy. It was as if every strand of his DNA had been created for one purpose and one purpose only: to kill.

He had been planning the murder these past six months. In fact, he’d first thought of killing him years ago, but it required time for those thoughts to solidify into a plan – a concrete plan in more ways than one.

Now that he’d acted, he wondered why it had taken him so long. It wasn’t as if he was afraid or unsure or anything like that. He’d delayed because he couldn’t decide exactly how he wanted the young man to die. Bludgeoning, shooting, stabbing, poisoning, gassing, drowning had all been considered. Finally, he’d opted for suffocation. Why? He couldn’t really say. Certainly he wanted to watch him suffer. And he wanted to prolong his suffering. But stabbing or poisoning or any number of methodologies could have achieved that.

Looking at him now, the killer knew he’d made the right decision. The deceased’s tortured face seemed distorted inside the plastic bag that covered his head, and his sightless eyes still registered the intense fear he’d experienced in his final ghastly moments.

Studying him in the torchlight, he felt his manhood hardening beneath him. He removed one of his gloves then, raising his pelvis off the floor, he reached down and began pleasuring himself, all the while looking at his victim.

Satisfaction arrived quickly and he groaned as he came.

Recovering his composure, he donned his glove and resumed working.

It wasn’t long before the hole was completely bricked over. He shone his torch on the wall and inspected his handiwork.

Perfect.

The newly laid bricks aligned flawlessly with the older bricks. That was no accident because he’d used identical surplus bricks the building’s owner had thoughtfully left in the basement. Finally, he cleaned up, removed his gloves and then began crawling back the way he’d come, taking his buckets and work tools with him.

As he departed, he knew he’d need to kill again. And soon. He had to experience those wonderful feelings again.

He was confident he wouldn’t have long to wait; his master plan was already in motion.

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https://www.goodreads.com/book/show/35626239-silent-fear

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An epic, atmospheric story that begins with twenty three genetically superior orphans being groomed to become elite spies in Chicago’s Pedemont Orphanage and concludes with a political assassination deep in the Amazon jungle.

 

The Orphan Factory (The Orphan Trilogy Book 2)

THE ORPHAN FACTORY (The Orphan Trilogy, #2)

 

Prologue

An old vagrant hummed tunelessly to himself as he warmed his bony hands over a fire he’d lit minutes earlier in a drum long since blackened by perhaps a hundred such fires. Certainly more fires than he, or any of his street cronies, could remember. He stopped humming when, across a busy thoroughfare, a gravel-voiced busker began reciting poetry.

“Stormy, husky, brawling,” the busker rumbled. “City of the big shoulders.” He was reciting verse from the works of hometown poet-made-good, Carl Sandburg. The poem was appropriately titled Chicago. “Come and show me another city with lifted head singing so proud to be alive and coarse and strong and cunning.” The busker, a long-haired Vietnam veteran whose only concession to his military past was his VSM service medal which he still wore with pride, looked directly at the old vagrant opposite.

The vagrant imagined the busker smiled at him, though he couldn’t be sure in the fading early evening light. Even so, he flashed a toothless grin in the other’s direction.

Soon, the old man was joined by half a dozen street pals. All homeless like him, they appeared like disheveled ghosts out of the shadows, attracted partly by the warmth of the fire and partly by the busker. They listened intently to the poet’s words that flowed effortlessly from the busker’s mouth. Words that painted images so vivid in their minds it was as if the men were watching a kaleidoscope of their own youth.

“Under the smoke, dust all over his mouth, laughing with white teeth,” the busker continued. “Under the terrible burden of destiny laughing as a young man laughs.”

Several passersby paused to listen, but none bothered to drop a donation into the hat that lay at the busker’s feet. Finally, as the busker finished his recital, a business executive threw a quarter into the hat without breaking stride. Encouraged, the busker launched into another Sandberg poem.

Listening to the busker delivering further verses about his beloved Windy City, the old vagrant couldn’t help but note the irony: there wasn’t a breath of wind on this still Chicago evening.

The vagrant’s parents had always assured him the city’s misleading nickname had nothing to do with the weather. His mother had insisted the Windy City  label came from the longwinded speeches given by the city’s Nineteenth Century politicians, while his father claimed the moniker had been mischievously bestowed by competitive New Yorkers in their attempt to win the World Trade Fair of 1893.

To add to the contradictions, even though it was February, it was an unusually mild winter’s evening. The vagrants gathered around the fire warming their hands did so more out of habit than necessity on this occasion.

Chicago’s streets were busy and the mood downtown was fairly upbeat. President Jimmy Carter was due to visit the city and greater Illinois the following day. Word had spread: the President would be here soon, and come hell or high water he was going to receive a right, royal Illinois welcome.

As Chicagoans went about their business, hurrying home after a long day at the office or heading out to sample the city’s nightlife, none were remotely aware of the sinister, Nazi-like experiment taking place virtually under their noses.

Despite the experiment’s seventy five million dollar price tag, only a select few knew about it. Those in the know did not include the city’s Mayor or any state politicians; at Federal level, not even the President knew about it.

The experiment was taking place in a laboratory in the concealed basement of a renovated warehouse just off North Michigan Avenue. Seven pregnant women were in various stages of labor in the lab that served as a makeshift maternity hospital.

Like some Orwellian nightmare, the women were giving birth in clockwork-like fashion, almost in unison.

Small teams comprised of doctors and white-coated geneticists assisted the women. A specialist induced latecomers. In the lab’s far corner, two suited men looked on expectantly.

The numerous personnel in attendance were all in the employ of the Omega Agency, a recently formed and highly secretive outfit which would one day become the world’s most powerful shadow organization.

Supervising the eerie experiment was Omega’s own Doctor Frankenstein – better known as Doctor Pedemont, the brilliant biomedical scientist responsible for the radical science behind it. Over the past few years, with the help of his team of geneticists, Doctor Pedemont had painstakingly selected the fetus’ genes from thousands of sperm donations combined with the genes of his female subjects. The donations had come from another medical experiment referred to as the Genius Sperm Bank.

The motivation behind the Genius Sperm Bank, which had been initiated over a decade earlier, was to advance the breeding of super-intelligent people. The bank was stocked full of semen donations solicited from many of the world’s most intelligent men.

Benefiting from the efforts of some of Omega’s elite operatives, Doctor Pedemont had unlawfully obtained hundreds of samples from the Genius Sperm Bank. Then, taking the best of the sperm donations, he’d artificially inseminated the very women who were now in the process of giving birth. This meant each child that was about to be born effectively had one mother and numerous fathers.

The legalities of the entire operation were of no concern to Omega. Although still in its formative stages, the agency was already above the law.

A tense Doctor Pedemont and three geneticists fussed over the first mother-to-be, a young redheaded woman, as she entered the final stages of labor. The two suits observing from afar waited anxiously as the geneticists used advanced scientific equipment to monitor the birth.

The redhead gave birth to female twins. They arrived six minutes apart. Doctor Pedemont picked up the first twin. After removing the umbilical cord, he placed the newborn baby on a set of scales. “Number Five,” he announced. “Born 7.43 pm. Weight seven pounds, thirteen ounces.”

One of the geneticists recorded the doctor’s findings in a file labeled Number Five. Sadly, this would be the closest the girl would ever have to a real name.

Doctor Pedemont gave the baby to another geneticist then grabbed her newborn sister and weighed her. “Number Six. Born 7.49 pm. Weight seven pounds, one ounce.”

The advent of twins was no accident, of course. Their arrival had been planned for, like everything else that occurred within the Omega Agency.

The next baby was born minutes later to an African-American woman. It was a boy who was clearly of African descent. However, he had a much lighter skin tone than his mother, indicating most or all of the sperm donations inseminated into the woman were taken from Caucasian men.

“Number Seven,” Doctor Pedemont announced. “Born 7.56 pm. Weighs exactly five pounds. A few weeks prem, but is perfectly healthy.”

Because Number Seven was a premature birth, one of the geneticists immediately placed him in an incubator. Number Eight, who was born quarter of an hour later, was a healthy girl of Oriental descent.

When Number Nine was born, the mother, a beautiful dark-haired woman with striking green eyes, reached out to Doctor Pedemont to indicate she wished to hold the boy she had just birthed. The doctor looked around enquiringly at the two mysterious suits who remained in the corner. After discussing it between themselves, the older of the two nodded.

Doctor Pedemont looked back at the newborn’s mother cautiously. “You know you’ll never see him again, Annette?”

Annette nodded forlornly. She fully understood the ramifications of her agreement with the Omega Agency. Doctor Pedemont reluctantly placed Number Nine in Annette’s arms. The baby boy reached out and placed his tiny hand on the ruby that hung from a silver necklace she wore.

“Sebastian,” Annette whispered tearfully as she looked into her son’s eyes. “I name you Sebastian, after my father.”

Anxious to avoid further bonding between mother and son, Doctor Pedemont took Number Nine from Annette and handed him to one of the geneticists who, without ceremony, jabbed a needle into the boy. Predictably, Nine started screaming. His mother looked on resignedly.

Later that night, two more boys and another girl were born. Like Number Nine, all three were Caucasian.

As Number Twelve, the last of the newborns, was weighed, the two suits approached a relieved Doctor Pedemont. They looked more relaxed now. The older of the two, a short, stocky, dapper individual with heavily pock-marked skin, reached for the doctor’s hand and shook it firmly. This was Andrew Naylor, the Omega Agency’s hard-nosed director who was known for his foul temper as well as for his lazy eye, which never quite managed to focus on whomever he was addressing at the time.

“Congratulations, doctor,” Naylor mumbled without even a hint of a smile.

“Thank you,” a beaming Doctor Pedemont responded, taking care to avoid eye contact with Naylor as he found the other’s lazy eye highly disconcerting.

Naylor’s companion, Special Agent Tommy Kentbridge, patted the doctor on the back in congratulatory fashion. “Well done,” Kentbridge said. Tall and ruggedly handsome – physically the polar opposite of Naylor – the special agent was one of Omega’s young stars. As a field operative, he had the sort of record most agents twice his age would be proud of. Although only in his early twenties, Kentbridge had been assigned to manage the products of this agency experiment. Like it or not, he would be the nearest to a father any of them would have.

It was a long-term experiment and no-one knew exactly what the outcome would be. The experiment was known in Omega circles as The Pedemont Project

 

Product Details

 

THE ORPHAN FACTORY (The Orphan Trilogy, #2)  is exclusive to Amazon: http://www.amazon.com/dp/B008M9WWKW/

 

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