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Welcome to Morcan Books & Films, the blog devoted to providing a unique perspective and intelligent commentary on books and films. It includes commentary on our own books and films – i.e. novels and screenplays co-written by the Morcans, and feature films produced by, or in development with, Morcan Motion Pictures.
Lance & James
Shrouded in cloud at the bottom of the world, this was the land that time forgot: the last sizeable piece of undiscovered land on Earth. Two hundred million years after breaking away from the vast southern continent of Gondwana, Man had yet to leave his footprints on this prehistoric place.
Mythology would have it the land was fished up out of the ocean. In fact, earthquakes and volcanic activity forced it to literally erupt from the seabed. This violent birth left it with a majestic ruggedness that would always reflect its former turbulence.
Over time, its features softened. Scenes of beauty emerged out of the mists. There was a haunting stillness about the land. It was a place of mystery – of magical forests and sparkling lakes and rivers. And the sea surrounded it like some huge tidal moat.
Its isolation ensured it wouldn’t be until well into the First Millennium AD that Man would step foot on these shores. The hardy, brown-skinned people who arrived here called themselves Maori and they called their new home Aotearoa – land of the long, white cloud.
Not until its rediscovery centuries later by European explorers would the land receive the name by which it is known today: New Zealand. Their arrival would herald a clash of two vastly different ideologies as European civilization collided with indigenous culture.
It was a time of conflict, lust and adventure.
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My historical adventure epic NEW ZEALAND: A NOVEL is a tale of conflict, lust and adventure. It spans almost 500 years and covers the respective discoveries of New Zealand by Pacific Islanders and Europeans. From the outset the two stories are interposed. It starts in the 1300’s with the departure of Islanders from Hawaiki in search of land far to the south.
Under ‘Historical Notes’ at the end of my soon-to-be-released historical adventure epic NEW ZEALAND: A NOVEL, I advise readers that cannibalism was widely practised by Maori and it continued until well into the 1800’s, especially during the Musket Wars of the early 1800’s when a quarter of the Maori race perished in inter-tribal warfare.
I also advise readers, my novel is a work of fiction, albeit inspired by true events, and in the interests of telling a good story I have deviated from Maori and European history in places.
Excerpts from my Historical Notes follow:
In the case of Maori history, it’s important to remember that New Zealand’s indigenous people had no written language before Europeans arrived. Theirs was an oral history, which by its very nature is inexact, and therefore many facts – such as the place of origin of the Maori people – are subject to conjecture. That place, according to Maori legend, is known as Hawaiki. I have opted for the South Pacific island nation of Marquesas as being that place even though many historians believe it more likely Maori originated from Tahiti. As an aside, I have met Cook Islanders who, to my eyes and ears, look and sound like Maoris. Then again, I’ve heard indigenous Hawaiians say they can understand much of Te Reo, the Maori language, when they hear it spoken. So, logic tells me it is quite possible Maoris originally came from any one of the aforementioned island nations.
The conflict in the early 1500’s between the Te Arawa and Ngati Porou tribes is pure fiction. However, it typifies the clashes that occurred between warring iwis, or tribes, of that time. And despite what some present-day historians might say, the descriptions of cannibalism have not been exaggerated – not if the early writings of European explorers, seafarers, adventurers, missionaries, settlers, army officers and others are to be believed. Cannibalism was widely practised by Maori.
I am aware some fans of historical fiction expect writers in this genre to stick to the facts. Some readers will be aware I have deviated, considerably in places, from what actually occurred during the respective discoveries of New Zealand, first by Pacific Islanders then by Europeans. In my defense, I would point out that prominent historical fiction authors, Bernard Cornwell included, often replace history with invention in their novels.
For a more historically accurate overview of the Endeavour’s expedition to, and circumnavigation of, New Zealand I highly recommend the Captain Cook Society’s informative website, which includes verbatim extracts from Cook’s journals; and for an intriguing insight into early New Zealand and Maoris’ ancient origins I recommend these books by two of New Zealand’s most respected historians: The Penguin History of New Zealand, by Michael King, and This Horrid Practice: the Myth and Reality of Traditional Maori Cannibalism, by Paul Moon.
Finally, while my novel may not convey exactly what happened during the discovery and settlement of New Zealand, I believe it accurately captures the spirit of those bygone days.
*
The paperback and Kindle ebook versions of ‘New Zealand: A Novel’ will be published on Amazon before Christmas; the hardcover and audiobook versions will follow in the New Year.
Kafoa scanned the ocean ahead of the double-voyaging canoe that had carried his fellow Islanders, or those of them who had survived at least, so far from their homeland in Hawaiki. Finally, he saw what it was the men had seen.
Low on the horizon, at the limit of the boy’s vision, was a large landmass resting beneath a long white cloud. Studying the distant landmass, he murmured, “Aotearoa.”
His father nodded. “Aotearoa,” Hotu agreed. “Land of the long white cloud.”
Kupe’s land now had a name.
You are reading an excerpt from an early chapter in my soon-to-be-released historical adventure epic ‘New Zealand: A Novel’.
Excerpt continues:
The excitement on board was unrestrained as the landmass now referred to by all as Aotearoa came into clear focus beneath the umbrella of cloud. Everyone who could stand was standing. The only voyagers not on their feet were those too weak to rise from where they lay.
Hotu was now manning the tiller. His heart beat fast. Here at last was Kupe’s land!
Tears filled the rangatira’s eyes and he murmured a prayer of thanks to the spirits of his Hawaikan ancestors. This land, their land, would be his people’s salvation. Of that he was sure.
From around twenty miles out, the land appeared dark and mysterious in the shadow of the cloudbank above it. Forbidding even. The sight had a sobering effect on the voyagers. All conversation ceased as they studied their new homeland.
As the canoe sailed onwards, floundering deeper than ever in the water, the land mass ahead slowly took shape. It was high – higher than the tropical islands of the Pacific – and it was covered in dense, lush, green bush.
Although still too far away to ascertain, the land appeared to be unoccupied, and some sixth sense told Hotu it was. Which meant he and his fellow survivors would be the only people on these shores. He wondered what had become of Kupe’s fellow voyagers all those centuries ago.
*
The paperback and Kindle ebook versions of ‘New Zealand: A Novel’ will be published on Amazon before Christmas; the hardcover and audiobook versions will follow in the New Year.
English writer John (Jonno) Morris, best known for his Star Gazer Series of sci-fi novels, discovered publishing printed books so complicated he decided to create his own imprint and offer advice to other first-time indie publishers. Hence the welcome arrival of the imprint Charlotte Greene on the crowded book publishing landscape.
Charlotte Greene, in association with trusted freelance agents, offers authors resources and access to those same freelancers to help get their masterpiece into print and eBook formats ready for sales and marketing. The freelancers provide paid services such as creating book covers, content and copy editing.
Specifically, the services offered to authors include content editing, proof reading, advice on book formatting and layout, cover for EPUB and print, compatibility with printed books (size, bleed, definition), illustrations including maps and other internal graphics, conversion to generic EPUB format.
The imprint even supplies ISBN’s to those authors who formally publish through Charlotte Greene.
Charlotte Greene’s services don’t end there. They also include marketing and promotion. These cover inclusion in its biennial trade catalogue targeting both the UK and USA, advice, or presentation to retail and distribution channels in UK, USA, Europe and the English-speaking world as well as opening the route to self-publishing authors listing their books with Waterstones UK and Ingram USA.
Jonno operates his business from his base in China. The 70-year-old has lived in Foshan, Canton, which is near Hong Kong, since what was meant to be “a visit” some 22 years ago. His modus operandi, while successful, could be described as different, even unconventional.
Jonno Morris…founder of Charlotte Greene.
“In essence, Charlotte Greene is a small version of Elance, dedicated solely to helping self-publishing authors bring their work to the marketplace,” he says. “We differ from conventional publishers who offer a small royalty in return for publishing a manuscript.”
Jonno stresses that contracted authors remain in control of their books.
“Essentially, the imprint helps authors achieve their goals independently and on their own. If publication of a book results in, or leads to, a book deal with a major publisher, clients are welcome to take it up.”
The benefits of dealing with Charlotte Greene don’t end there. The imprint opens doors closed to most self-publishing authors, offering listings with Waterstones, Blackwells, and Apple iBookstore to name but three major retail outlets. Clients’ books are also listed in its Trade Catalogue, which is published biennially, and is aimed at trade distributors and wholesalers on both sides of the Atlantic.
Charlotte Green is heavily into fiction and is especially interested in the following: science fiction, science fantasy, urban fiction / YA, action & Adventure, mystery thrillers, who-done-it and historical fiction.
“We have no hard and fast rule on what we will and will not look at,” says Jonno. “An original and interesting plot goes a long way with us. Electronic submissions of complete manuscripts are accepted, if requested by us, after initial review.”
New Zealand writer-director James Morcan, best known for his new-release, Australian-produced film Anno 2020, has attached to direct an action-adventure movie set in Mali and featuring the West African nation’s enigmatic Dogon people.
Titled ‘Deniables: The Dogon Initiative’, the movie will be based on the novel ‘The Dogon Initiative’, one of 12 novels co-authored by Morcan and his father Lance, and the first book in a planned ‘Deniables’ series. The New Zealand father-and-son writing team’s books are published under the Sterling Gate Books banner.
Book 1 in planned ‘Deniables’ series of novels and films.
Speaking from Sydney, Australia, this week, James Morcan said he and his father knew from the outset their novel, which is currently exclusive to Amazon, would translate to an exciting feature film.
“Reviewers of this and other adventure novels of ours have commented that the storylines feel very cinematic,” he said. “That’s not surprising as we both have a love of film and are both screenwriters as well as novelists.”
The younger Morcan said ‘The Dogon Initiative’ is about a group of foreign mercenaries who are hired as deniable assets by a newly formed humanitarian division of the CIA.
“It was inspired by a true-life mystery of astronomy, and it covers some of the many myths and theories surrounding Mali’s fascinating Dogon people. We highlight their unexplained knowledge of the invisible-to-the-eye Sirius B white dwarf star, the rings of Saturn and other heavenly bodies, as well as their rumoured ancestral relationship to ancient Egyptians.
“Our leading characters, the foreign mercenaries, have been nicknamed ‘the Deniables’ because their existence isn’t officially acknowledged by the CIA. They’re tasked with saving Mali’s persecuted Dogon people from genocide.
“The operation must be carried out in stealth while journeying across some of West Africa’s most hostile terrain. As if all that’s not enough, they’re also instructed to help solve an ancient astronomical mystery linked to the pyramids of Egypt.
“Our Deniables soon find themselves fighting for their lives when they get caught in the middle of warring ethnic factions in Mali. Their only way to survive is to join with the Dogon in a race against the clock. The stakes are so high that not only could an entire indigenous group be wiped off the face of the Earth, but all evidence that supports advanced ancient technology theories surrounding the Dogon and a lost civilization thesis may be destroyed in the process.”
Morcan is currently celebrating the successful Australian red-carpet cinema screenings of his mystery-drama movie Anno 2020, which represents his directorial debut. As well as directing that award-winning film he adapted it from his solo-authored novel of the same name.
Several of the Morcans’ co-authored novels have been regular visitors to Amazon’s bestseller lists. They include the historical adventures ‘White Spirit’ and ‘Into the Americas’, and the international thriller ‘The Ninth Orphan’. These and several others, including some with name actors attached, have been adapted to feature film screenplays and are in early development.
The New Zealand father-and-son writing team Lance and James Morcan, authors of some 35 published fiction and non-fiction books, today announced the likely release date for their next co-authored novel Anno 2021.
Interim cover image for Anno 2021.
An international action-thriller, its planned pre-Christmas (early December) release follows James Morcan’s successful adaptation of his first solo-authored novel, Anno 2020, to a feature film screenplay and subsequent new-release movie.
The younger Morcan, who is also an actor and director, acted in and directed the Australian-produced movie, which celebrated its world premiere at a red-carpet screening in Sydney last month.
“Anno 2020 is a mystery-drama whereas this novel (Anno 2021) is more of an action-thriller,” said Sydney-based James.
“Their common theme is that both cover the dramas experienced by individuals around the world caught up in the COVID lockdowns of those two unforgettable years, and they capture the zeitgeist of this troubled era as society gets ever more fractured.
“They are both controversial as we, the writers, don’t shy away from covering the contentious issues that divided nations during those years.
“Like the earlier novel, which was set in 17 different destinations on four continents, Anno 2021 will be truly global with a vignette of storylines and characters based in America, England, South Africa, Tahiti and New Zealand.”
Papamoa-based novelist-screenwriter Lance Morcan, who is also Story Consultant and Associate Producer on Anno 2020 the movie, said he and son James were already thinking about the screenplay adaptation of Anno 2021 while they undertook final editing of the novel.
“We are no strangers to this process,” said Lance. “We’ve adapted several of our co-authored novels to feature film screenplays and these are in early development with known and mainly American actors attached in some cases.”
As novelists, the Morcans are best known for their bestselling thrillers The Ninth Orphan and Silent Fear, and for their historical adventure novels White Spirit, Into the Americas and Fiji; their non-fiction books include Genius Intelligence, The Catcher in the Rye Enigma and Debunking Holocaust Denial Theories, which have all been regular visitors to Amazon’s bestseller lists.
Their books all appear under the banner of New Zealand publisher Sterling Gate Books and are currently exclusive to Amazon.
‘Attracting Chaos’: An Old Style of Filmmaking Meets a New Breed of Director in James Morcan’s ‘Anno 2020’
Maverick first-time director, James Morcan, harkens back to the havoc of pre-blockbuster Hollywood with his ‘Altmanesque’ and unruly, ‘Anno 2020’ (2024). Rhoyce Nova sits down with the best-selling author turned auteur to discover the method to his madness.
Andre Doc Williams filming on the deserted streets of New York City during lockdown.
“Think you know what 2020 was about? Think again,” teases the tagline of Anno 2020. A mystery drama based on Morcan’s novel of the same name, Anno 2020 is set in, and was filmed during, the Covid-19 pandemic lockdowns. Described as, “A global kaleidoscope of interconnected characters seeking redemption, forgiveness, and answers amidst the chaos of Anno MMXX (Year 2020),” the film features a core cast of more than a dozen performers from around the world. Spanning seventeen cities in five countries on four continents, it was shot over two years amidst international travel bans on a nano-budget of US$6000. Set to premiere at The Ritz Cinema on April 7, Anno 2020 was a Quarter-Finalist at the International British Film Festival 2023 and won the ‘Best Experimental Film’ award from the Titan International Film Festival in Sydney.
Author-Director James Morcan, also appears in ‘Anno 2020’ as the disaffected, wheelchair-bound, ‘Byron’.
New Zealand-born Morcan may be a directorial debutante but as an author, he has considerable clout. The novel upon which the film is based is the first solo-authored title from the dozens of books he has written with his father, literary polymath, Lance Morcan. Among the duo’s oeuvre are two best-selling novels, White Spirit and Into the Americas, the gripping international thriller series,The Orphan Trilogies, and the new release horror, Silent Fear, which their production company, Morcan Motion Pictures, is developing into a feature film. Also slated for production is the author’s controversial non-fiction franchise, The Underground Knowledge Series, which spawned a popular YouTube podcast and one of the largest and most lively discussion groups on Goodreads. Also an actor of note, Morcan has appeared alongside the likes of Russell Crowe. Most recently he co-starred in three highly-rated features, After Armageddon (2016), and the Oz-Bollywood productions, Love You Krishna (2013), and My Cornerstone (2019), all of which he penned. His feature films have screened at cinemas in Australia, New Zealand, India, Italy, and Cannes.
Andre Doc Williams filming during the Black Lives Matter protests in New York City.
The making of Anno 2020 is seat-of-the-pants guerrilla filming at its finest. The fact that the ambitious project was even started, let alone completed, is a triumph of collaboration and experimentation. Morcan divulges how a conglomeration of suddenly unemployed headline actors and bored, under-utilised crew members helped to piece the film together while the rest of the world sat glued to their couches in their pyjamas. “People were in lockdown, and they really wanted something to do, so we just attracted people who… were primarily more actor-producers who just wanted to join us.” Explaining how he navigated the logistical and technical challenges of filming remotely in so many locations during travel bans, Morcan says that much of the filming was facilitated organically, adding that the timing was equally as important as the technologies they used.
People just said, ‘Well, I’ve got a film crew and they’re bored in Los Angeles or… I’ve got this red camera, or we’ve got friends in China,’” says Morcan, adding, “and it just grew and grew and grew to the point where we barely recognised it, you know, from our original plans.
Promising newcomer, Jessica Castello, during filming.
As the location shoots expanded across borders, so too did the cast. In Anno 2020, a melange of instantly recognisable faces and high-profile international artists appear alongside a band of promising, lesser-known, performers. American perennials, such as Star Trek’s, Kevin Scott-Allen, Brooklyn.Blue.Sky’s, La Rivers, and consumate veteran actress, Sheila Ball, join with seasoned homegrown talents like The Chronicles of Narnia actor, Greg Poppleton and Blue Murder’s, Gil Ben-Moshe, while esteemed Chinese American actress, Crystal J. Huang, and standout newcomer, Israeli actress, Lital Luzon, are among the multicultural cohorts who round out the cast. Quizzed on how he managed to attract such a stellar line-up of performers on no budget during a lockdown, Morcan explains,
It was basically like, you know, the cooperative theatre productions of yesteryear where everyone would get a slice of the pie,” adding, “It was about making everyone a type of producer… so everyone is getting something out of it.
True to this collaborative ethos each of the lead actors and key creatives on Anno 2020 received producer credits.
Crystal J. Huang delivers a measured yet moving performance in Anno 2020.
Anno 2020, despite its setting, is not about the Covid pandemic. Instead, it follows the cast of core characters as they navigate the relationship schisms, clashing beliefs, and core internal wounds that are made manifest by the forced confinement of the lockdowns. There are no hackneyed, ‘My boyfriend and I were separated by the travel ban’ narratives here, rather, in true ‘Altmanesque-ensemble’ style, a series of distinct narrative vignettes unfold and intersect. We see an alienated mother and daughter finding their way back to each other online when the mother is diagnosed with cancer and cannot access medical treatment. We see an aging gay man seeking connection with the family who ostracised him many years earlier, and we see a formerly-young man who realises he has wasted his life when he finds himself single and loveless while staring down the barrel of middle-age during lockdown.
Jessica Castello delivers a convincing, nuanced performance in Anno 2020.
Describing himself more as an ‘author-director’ with ‘actorly’ leanings, Morcan reveals his literary roots in the dexterous handling of the complex storylines, while the empathy his acting background fosters shows in the performers’ ability to feel safe to express their vulnerability. “I think author-actor is the key background for me,” says Morcan, adding, “because my style, I guess, is very act pro-actor.” In a nod to Altman’s signature style, Morcan encouraged his actors to improvise and integrate elements of their own lived experiences in their performances. As a result, Morcan reveals that 75% of the dialogue in Anno 2020 was improvised and that, going in, he deliberately underwrote the screenplay to foster overlapping dialogue and allow for ad-libbing. As Morcan puts it,
I got to know each actor and, and I thought, this is almost docu-drama style acting that will really suit people to put in their own trauma,” adding, “I know that sounds bleak, but… that’s the conflict of drama and people, but I had to check about, ‘Are you happy to explore something that’s really happened in your life?’
The tactic led to some startlingly moving moments, like when the character of ‘Esther’, played by Lital Luzon, who is easily the breakout performer of the piece, blurts out that she deserved to be abused by her ex-partners. Morcan says, “I tend to believe that big truths like that… will resonate at a deeper level.”
Israeli actress, Lital Luzon, performs with unparalleled intensity and authenticity in Anno 2020.
Judging from the intimacy of his actors’ performances, they seem to be revelling in Morcan’s loose and free directing style.
I think the thing people forget is that writing can be done at any stage. So, there is what we know of writing, but then if you think of the equivalent of songwriting, sometimes a band would just sit there. They’re not actually physically writing. And I think it’s a similar analogy for me with the filmmaking process, in that in the editing room, we’re rewriting.
Morcan reveals that the initial edit of Anno 2020 was eight hours long and he wanted to get it down to around two and a half hours. With the final cut standing at 2:25, the film is still on the long side by current standards. In cases like this, the old writing and filmmaking adage, ‘kill your darlings’ comes to mind, but a novelist and screenwriter of Morcan’s pedigree is well aware of this. One gets the sense that he has gloriously disregarded contemporary Hollywood conventions like certain renegade directors before him. Robert Altman’s Nashville comes in at around 2:40, and Lars von Trier’s Dogville runs just shy of three hours. Bold moves like this mark Morcan as a maverick movie maker who is determined to do things his own way.
Shaun Huff and La Rivers play a couple whose values clash during the pandemic.
While the performances in Anno 2020 are, on the whole, strong, the visual stylings are raw, rough, and ready. Do not expect high production values and finessed filmic finishes. The movie looks just as it was shot, randomly and chaotically with different cameras and camera people, and a collection of Zoom videos. Perhaps the film could have benefited from greater visual integration and a more interestingly rendered zoom interface, however, over-editing would be out of place in a film tackling topics of disconnection and alienation, particularly given its Cinéma Verité ethos. In the final analysis, the unfiltered visual language of Anno 2020 actually fosters the sense of connection we feel with the characters, as when the performers are addressing each other in the zoom windows, the fourth wall is thinned, without entirely breaking. In describing the style of filmmaking he wanted for the film, Morcan says,
We had this phrase like, ‘It’s not just realism, but ultra-realism’. That’s what we were going for,” adding, “The goal was… let’s say you were watching the movie and a friend of yours just popped in and looked over your shoulder, the goal was for them to say, ‘What documentary is this?’ because it feels so lifelike, you know?
Young actress Audrey Nitschke, who plays ‘Sophie’ in Anno 2020, is a talent to watch out for.
This kind of immediacy and authenticity lies at the core of Morcan’s style of directing, which he likens to the wild and free filmmaking techniques of the pre-blockbuster era in Hollywood. “I’m a big fan of 60/70s movies before there were these massive blockbusters,” says Morcan, adding, “Then I think so much money was involved that they were basically getting directors… to sign off on the script… but then what if something amazing happens that you go, ‘Gee, I wish I could have just done this, but you’re not allowed to… and that’s a restriction not only on directors but everyone.” Morcan says, “When you free a director, you’re freeing everybody.”
Morcan’s embrace of this off-the-cuff, seat-of-the-pants, 70’s style of filmmaking, paired with his ‘author-actor’ sensibilities, mark him as a new breed of auteur to watch out for. In his words,
I’m big on the planning, but for this movie, I think it shows that there are other ways to make films and the film industry has kind of forgotten about that,” adding, “like, with that sort of preparation, you’re trying to reduce any chaos, but Anno 2020 was almost about attracting chaos, chasing it, because that’s what made it dangerous. That’s what made it lively.
RHOYCE NOVA’S RATING FOR ANNO 2020:
“INNOVATIVE
INTIMATE
BRAVE”
Rhoyce Nova is an award-winning writer, director, and film critic who is passionate about elevating stellar independent cinema.
John Grisham’s latest offering, THE EXCHANGE, was not worth the wait in this book critic’s opinion. Presented as “The riveting sequel to The Firm, the blockbuster thriller that launched the career of the world’s bestselling author,” it pales by comparison to that earlier novel.
Sure, it picks up where The Firm left off, albeit 15 years later, but it’s so dialogue heavy it’s a virtual talkfest interrupted by a seemingly never-ending round of meetings, international flights, phone calls, more flights and still more interminable meetings. The repetition is mind-blowingly tedious and annoying. Drama, action, and tension are totally lacking. Very disappointing – especially as this critic is a long-time Grisham fan and considers The Firm one of his very best novels.
Ah, well…Grisham remains one of my favorite authors – up there with M. Connolly, D. Baldacci, N. DeMille, G. Iles, K. Follett, Sir G. Archer, L. Child, C. Iggulden, F. Forsyth et al. – and, as always, I do look forward to his next offering.
Meanwhile, for anyone still interested in the storyline for THE EXCHANGE, here ‘tis as it appears on the book’s Amazon page…
Mitch McDeere has cheated death and come out the other side. Fifteen years ago, he stole $10 million from the mob and disappeared. Now, with his enemies jailed or dead, he has fought his way to the top of the biggest law firm in the world.
When a new case takes Mitch to Libya, danger awaits: he’s soon in the biggest hostage negotiation in recent history with terrorists who have murdered and will murder again. Their demand is staggering: a ransom of $100 million must be paid within 10 days.
But this isn’t a random kidnapping – it’s personal. And no one, not even Mitch’s wife in New York, is safe.
ANNO 2020 the movie has echoes of SOUND OF FREEDOM in that it addresses a subject some would prefer remain hidden. Self-appointed censors tried to ban that film. Will they try to ban this one, too?
ANNO 2020 was directed by Kiwi director James Morcan who also adapted the screenplay from his published novel of the same name.
“All roads lead back to 2020”
As this trailer for my recently completed feature film Anno 2020 alludes to, I believe the year 2020 will go down one of the most important years in all of human history. So many of our freedoms were lost in the name of a virus to “keep us safe”…Freedoms that were taken from us by supposedly altruistic politicians who avoided any meaningful consultation with the public… This circumventing of democracy has set a dangerous precedent and spiralled into numerous other injustices occurring now… For many citizens, all the intricacies of 2020 are only now being understood in hindsight, for hindsight is always 20/20…
Anno 2020 has been a 3 year book-to-film passion project for me…It started with writing a novel during 2020 to try to personally make some sense of what was happening to the significantly altered world I was observing. Then over 2021 we shot that novel’s film adaptation in 17 cities, 5 countries and 4 continents (using creative techniques to film while the world remained mostly in strict lockdown). Lastly, over 2022 and some of 2023 was the massive editing process.
As we finally now present this one-of-a-kind, epic movie to the world, I’d like to thank my incredible team around the world who made it all possible. Many of their names are in the end credits of trailer, the rest are all listed on IMDb at https://www.imdb.com/title/tt13455748/
Distribution enquiries welcomed. -James Morcan, Director-Screenwriter
Morcan Books & Films 