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Welcome to Morcan Books & Films, the blog devoted to providing a unique perspective and intelligent commentary on books and films. It includes commentary on our own books and films – i.e. novels and screenplays co-written by the Morcans, and feature films produced by, or in development with, Morcan Motion Pictures.
Lance & James
My thanks to the talented book cover designers at Book Publishers NZ for designing such an eye-catching cover for this soon-to-be released novel. They offer the full range of publishing services for authors as a visit to their website will testify… Book Publishers in New Zealand – Top Self-Publishing House in NZ
‘New Zealand: A Novel’ has been a labour of love for me for half a century now! I wrote a one paragraph logline for it 50 years ago and have been adding to it, a few paras at a time, ever since.
The novel spans almost 500 years and covers the respective discoveries of New Zealand by Maori and European.
It starts in the 1300’s with the departure of Pacific Islanders from Hawaiki in search of land far to the south; it ends in the 1700’s with Captain James Cook’s historic circumnavigation of that same land – a land he calls New Zealand – as seen through the eyes of young crewmember Nicholas Young aboard the bark Endeavour.
From the outset the two stories are interposed. The adventures of the descendants of the earliest Maoris are followed down through the centuries, culminating in their often violent, sometimes romantic, always fascinating interactions with the white intruders they call pakehas.
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The paperback and Kindle ebook versions of ‘New Zealand: A Novel’ will be published on Amazon before Christmas; the hardcover and audiobook versions will follow in the New Year.
English writer John (Jonno) Morris, best known for his Star Gazer Series of sci-fi novels, discovered publishing printed books so complicated he decided to create his own imprint and offer advice to other first-time indie publishers. Hence the welcome arrival of the imprint Charlotte Greene on the crowded book publishing landscape.
Charlotte Greene, in association with trusted freelance agents, offers authors resources and access to those same freelancers to help get their masterpiece into print and eBook formats ready for sales and marketing. The freelancers provide paid services such as creating book covers, content and copy editing.
Specifically, the services offered to authors include content editing, proof reading, advice on book formatting and layout, cover for EPUB and print, compatibility with printed books (size, bleed, definition), illustrations including maps and other internal graphics, conversion to generic EPUB format.
The imprint even supplies ISBN’s to those authors who formally publish through Charlotte Greene.
Charlotte Greene’s services don’t end there. They also include marketing and promotion. These cover inclusion in its biennial trade catalogue targeting both the UK and USA, advice, or presentation to retail and distribution channels in UK, USA, Europe and the English-speaking world as well as opening the route to self-publishing authors listing their books with Waterstones UK and Ingram USA.
Jonno operates his business from his base in China. The 70-year-old has lived in Foshan, Canton, which is near Hong Kong, since what was meant to be “a visit” some 22 years ago. His modus operandi, while successful, could be described as different, even unconventional.
Jonno Morris…founder of Charlotte Greene.
“In essence, Charlotte Greene is a small version of Elance, dedicated solely to helping self-publishing authors bring their work to the marketplace,” he says. “We differ from conventional publishers who offer a small royalty in return for publishing a manuscript.”
Jonno stresses that contracted authors remain in control of their books.
“Essentially, the imprint helps authors achieve their goals independently and on their own. If publication of a book results in, or leads to, a book deal with a major publisher, clients are welcome to take it up.”
The benefits of dealing with Charlotte Greene don’t end there. The imprint opens doors closed to most self-publishing authors, offering listings with Waterstones, Blackwells, and Apple iBookstore to name but three major retail outlets. Clients’ books are also listed in its Trade Catalogue, which is published biennially, and is aimed at trade distributors and wholesalers on both sides of the Atlantic.
Charlotte Green is heavily into fiction and is especially interested in the following: science fiction, science fantasy, urban fiction / YA, action & Adventure, mystery thrillers, who-done-it and historical fiction.
“We have no hard and fast rule on what we will and will not look at,” says Jonno. “An original and interesting plot goes a long way with us. Electronic submissions of complete manuscripts are accepted, if requested by us, after initial review.”
New Zealand writer-director James Morcan, best known for his new-release, Australian-produced film Anno 2020, has attached to direct an action-adventure movie set in Mali and featuring the West African nation’s enigmatic Dogon people.
Titled ‘Deniables: The Dogon Initiative’, the movie will be based on the novel ‘The Dogon Initiative’, one of 12 novels co-authored by Morcan and his father Lance, and the first book in a planned ‘Deniables’ series. The New Zealand father-and-son writing team’s books are published under the Sterling Gate Books banner.
Book 1 in planned ‘Deniables’ series of novels and films.
Speaking from Sydney, Australia, this week, James Morcan said he and his father knew from the outset their novel, which is currently exclusive to Amazon, would translate to an exciting feature film.
“Reviewers of this and other adventure novels of ours have commented that the storylines feel very cinematic,” he said. “That’s not surprising as we both have a love of film and are both screenwriters as well as novelists.”
The younger Morcan said ‘The Dogon Initiative’ is about a group of foreign mercenaries who are hired as deniable assets by a newly formed humanitarian division of the CIA.
“It was inspired by a true-life mystery of astronomy, and it covers some of the many myths and theories surrounding Mali’s fascinating Dogon people. We highlight their unexplained knowledge of the invisible-to-the-eye Sirius B white dwarf star, the rings of Saturn and other heavenly bodies, as well as their rumoured ancestral relationship to ancient Egyptians.
“Our leading characters, the foreign mercenaries, have been nicknamed ‘the Deniables’ because their existence isn’t officially acknowledged by the CIA. They’re tasked with saving Mali’s persecuted Dogon people from genocide.
“The operation must be carried out in stealth while journeying across some of West Africa’s most hostile terrain. As if all that’s not enough, they’re also instructed to help solve an ancient astronomical mystery linked to the pyramids of Egypt.
“Our Deniables soon find themselves fighting for their lives when they get caught in the middle of warring ethnic factions in Mali. Their only way to survive is to join with the Dogon in a race against the clock. The stakes are so high that not only could an entire indigenous group be wiped off the face of the Earth, but all evidence that supports advanced ancient technology theories surrounding the Dogon and a lost civilization thesis may be destroyed in the process.”
Morcan is currently celebrating the successful Australian red-carpet cinema screenings of his mystery-drama movie Anno 2020, which represents his directorial debut. As well as directing that award-winning film he adapted it from his solo-authored novel of the same name.
Several of the Morcans’ co-authored novels have been regular visitors to Amazon’s bestseller lists. They include the historical adventures ‘White Spirit’ and ‘Into the Americas’, and the international thriller ‘The Ninth Orphan’. These and several others, including some with name actors attached, have been adapted to feature film screenplays and are in early development.
‘Attracting Chaos’: An Old Style of Filmmaking Meets a New Breed of Director in James Morcan’s ‘Anno 2020’
Maverick first-time director, James Morcan, harkens back to the havoc of pre-blockbuster Hollywood with his ‘Altmanesque’ and unruly, ‘Anno 2020’ (2024). Rhoyce Nova sits down with the best-selling author turned auteur to discover the method to his madness.
Andre Doc Williams filming on the deserted streets of New York City during lockdown.
“Think you know what 2020 was about? Think again,” teases the tagline of Anno 2020. A mystery drama based on Morcan’s novel of the same name, Anno 2020 is set in, and was filmed during, the Covid-19 pandemic lockdowns. Described as, “A global kaleidoscope of interconnected characters seeking redemption, forgiveness, and answers amidst the chaos of Anno MMXX (Year 2020),” the film features a core cast of more than a dozen performers from around the world. Spanning seventeen cities in five countries on four continents, it was shot over two years amidst international travel bans on a nano-budget of US$6000. Set to premiere at The Ritz Cinema on April 7, Anno 2020 was a Quarter-Finalist at the International British Film Festival 2023 and won the ‘Best Experimental Film’ award from the Titan International Film Festival in Sydney.
Author-Director James Morcan, also appears in ‘Anno 2020’ as the disaffected, wheelchair-bound, ‘Byron’.
New Zealand-born Morcan may be a directorial debutante but as an author, he has considerable clout. The novel upon which the film is based is the first solo-authored title from the dozens of books he has written with his father, literary polymath, Lance Morcan. Among the duo’s oeuvre are two best-selling novels, White Spirit and Into the Americas, the gripping international thriller series,The Orphan Trilogies, and the new release horror, Silent Fear, which their production company, Morcan Motion Pictures, is developing into a feature film. Also slated for production is the author’s controversial non-fiction franchise, The Underground Knowledge Series, which spawned a popular YouTube podcast and one of the largest and most lively discussion groups on Goodreads. Also an actor of note, Morcan has appeared alongside the likes of Russell Crowe. Most recently he co-starred in three highly-rated features, After Armageddon (2016), and the Oz-Bollywood productions, Love You Krishna (2013), and My Cornerstone (2019), all of which he penned. His feature films have screened at cinemas in Australia, New Zealand, India, Italy, and Cannes.
Andre Doc Williams filming during the Black Lives Matter protests in New York City.
The making of Anno 2020 is seat-of-the-pants guerrilla filming at its finest. The fact that the ambitious project was even started, let alone completed, is a triumph of collaboration and experimentation. Morcan divulges how a conglomeration of suddenly unemployed headline actors and bored, under-utilised crew members helped to piece the film together while the rest of the world sat glued to their couches in their pyjamas. “People were in lockdown, and they really wanted something to do, so we just attracted people who… were primarily more actor-producers who just wanted to join us.” Explaining how he navigated the logistical and technical challenges of filming remotely in so many locations during travel bans, Morcan says that much of the filming was facilitated organically, adding that the timing was equally as important as the technologies they used.
People just said, ‘Well, I’ve got a film crew and they’re bored in Los Angeles or… I’ve got this red camera, or we’ve got friends in China,’” says Morcan, adding, “and it just grew and grew and grew to the point where we barely recognised it, you know, from our original plans.
Promising newcomer, Jessica Castello, during filming.
As the location shoots expanded across borders, so too did the cast. In Anno 2020, a melange of instantly recognisable faces and high-profile international artists appear alongside a band of promising, lesser-known, performers. American perennials, such as Star Trek’s, Kevin Scott-Allen, Brooklyn.Blue.Sky’s, La Rivers, and consumate veteran actress, Sheila Ball, join with seasoned homegrown talents like The Chronicles of Narnia actor, Greg Poppleton and Blue Murder’s, Gil Ben-Moshe, while esteemed Chinese American actress, Crystal J. Huang, and standout newcomer, Israeli actress, Lital Luzon, are among the multicultural cohorts who round out the cast. Quizzed on how he managed to attract such a stellar line-up of performers on no budget during a lockdown, Morcan explains,
It was basically like, you know, the cooperative theatre productions of yesteryear where everyone would get a slice of the pie,” adding, “It was about making everyone a type of producer… so everyone is getting something out of it.
True to this collaborative ethos each of the lead actors and key creatives on Anno 2020 received producer credits.
Crystal J. Huang delivers a measured yet moving performance in Anno 2020.
Anno 2020, despite its setting, is not about the Covid pandemic. Instead, it follows the cast of core characters as they navigate the relationship schisms, clashing beliefs, and core internal wounds that are made manifest by the forced confinement of the lockdowns. There are no hackneyed, ‘My boyfriend and I were separated by the travel ban’ narratives here, rather, in true ‘Altmanesque-ensemble’ style, a series of distinct narrative vignettes unfold and intersect. We see an alienated mother and daughter finding their way back to each other online when the mother is diagnosed with cancer and cannot access medical treatment. We see an aging gay man seeking connection with the family who ostracised him many years earlier, and we see a formerly-young man who realises he has wasted his life when he finds himself single and loveless while staring down the barrel of middle-age during lockdown.
Jessica Castello delivers a convincing, nuanced performance in Anno 2020.
Describing himself more as an ‘author-director’ with ‘actorly’ leanings, Morcan reveals his literary roots in the dexterous handling of the complex storylines, while the empathy his acting background fosters shows in the performers’ ability to feel safe to express their vulnerability. “I think author-actor is the key background for me,” says Morcan, adding, “because my style, I guess, is very act pro-actor.” In a nod to Altman’s signature style, Morcan encouraged his actors to improvise and integrate elements of their own lived experiences in their performances. As a result, Morcan reveals that 75% of the dialogue in Anno 2020 was improvised and that, going in, he deliberately underwrote the screenplay to foster overlapping dialogue and allow for ad-libbing. As Morcan puts it,
I got to know each actor and, and I thought, this is almost docu-drama style acting that will really suit people to put in their own trauma,” adding, “I know that sounds bleak, but… that’s the conflict of drama and people, but I had to check about, ‘Are you happy to explore something that’s really happened in your life?’
The tactic led to some startlingly moving moments, like when the character of ‘Esther’, played by Lital Luzon, who is easily the breakout performer of the piece, blurts out that she deserved to be abused by her ex-partners. Morcan says, “I tend to believe that big truths like that… will resonate at a deeper level.”
Israeli actress, Lital Luzon, performs with unparalleled intensity and authenticity in Anno 2020.
Judging from the intimacy of his actors’ performances, they seem to be revelling in Morcan’s loose and free directing style.
I think the thing people forget is that writing can be done at any stage. So, there is what we know of writing, but then if you think of the equivalent of songwriting, sometimes a band would just sit there. They’re not actually physically writing. And I think it’s a similar analogy for me with the filmmaking process, in that in the editing room, we’re rewriting.
Morcan reveals that the initial edit of Anno 2020 was eight hours long and he wanted to get it down to around two and a half hours. With the final cut standing at 2:25, the film is still on the long side by current standards. In cases like this, the old writing and filmmaking adage, ‘kill your darlings’ comes to mind, but a novelist and screenwriter of Morcan’s pedigree is well aware of this. One gets the sense that he has gloriously disregarded contemporary Hollywood conventions like certain renegade directors before him. Robert Altman’s Nashville comes in at around 2:40, and Lars von Trier’s Dogville runs just shy of three hours. Bold moves like this mark Morcan as a maverick movie maker who is determined to do things his own way.
Shaun Huff and La Rivers play a couple whose values clash during the pandemic.
While the performances in Anno 2020 are, on the whole, strong, the visual stylings are raw, rough, and ready. Do not expect high production values and finessed filmic finishes. The movie looks just as it was shot, randomly and chaotically with different cameras and camera people, and a collection of Zoom videos. Perhaps the film could have benefited from greater visual integration and a more interestingly rendered zoom interface, however, over-editing would be out of place in a film tackling topics of disconnection and alienation, particularly given its Cinéma Verité ethos. In the final analysis, the unfiltered visual language of Anno 2020 actually fosters the sense of connection we feel with the characters, as when the performers are addressing each other in the zoom windows, the fourth wall is thinned, without entirely breaking. In describing the style of filmmaking he wanted for the film, Morcan says,
We had this phrase like, ‘It’s not just realism, but ultra-realism’. That’s what we were going for,” adding, “The goal was… let’s say you were watching the movie and a friend of yours just popped in and looked over your shoulder, the goal was for them to say, ‘What documentary is this?’ because it feels so lifelike, you know?
Young actress Audrey Nitschke, who plays ‘Sophie’ in Anno 2020, is a talent to watch out for.
This kind of immediacy and authenticity lies at the core of Morcan’s style of directing, which he likens to the wild and free filmmaking techniques of the pre-blockbuster era in Hollywood. “I’m a big fan of 60/70s movies before there were these massive blockbusters,” says Morcan, adding, “Then I think so much money was involved that they were basically getting directors… to sign off on the script… but then what if something amazing happens that you go, ‘Gee, I wish I could have just done this, but you’re not allowed to… and that’s a restriction not only on directors but everyone.” Morcan says, “When you free a director, you’re freeing everybody.”
Morcan’s embrace of this off-the-cuff, seat-of-the-pants, 70’s style of filmmaking, paired with his ‘author-actor’ sensibilities, mark him as a new breed of auteur to watch out for. In his words,
I’m big on the planning, but for this movie, I think it shows that there are other ways to make films and the film industry has kind of forgotten about that,” adding, “like, with that sort of preparation, you’re trying to reduce any chaos, but Anno 2020 was almost about attracting chaos, chasing it, because that’s what made it dangerous. That’s what made it lively.
RHOYCE NOVA’S RATING FOR ANNO 2020:
“INNOVATIVE
INTIMATE
BRAVE”
Rhoyce Nova is an award-winning writer, director, and film critic who is passionate about elevating stellar independent cinema.
John Grisham’s latest offering, THE EXCHANGE, was not worth the wait in this book critic’s opinion. Presented as “The riveting sequel to The Firm, the blockbuster thriller that launched the career of the world’s bestselling author,” it pales by comparison to that earlier novel.
Sure, it picks up where The Firm left off, albeit 15 years later, but it’s so dialogue heavy it’s a virtual talkfest interrupted by a seemingly never-ending round of meetings, international flights, phone calls, more flights and still more interminable meetings. The repetition is mind-blowingly tedious and annoying. Drama, action, and tension are totally lacking. Very disappointing – especially as this critic is a long-time Grisham fan and considers The Firm one of his very best novels.
Ah, well…Grisham remains one of my favorite authors – up there with M. Connolly, D. Baldacci, N. DeMille, G. Iles, K. Follett, Sir G. Archer, L. Child, C. Iggulden, F. Forsyth et al. – and, as always, I do look forward to his next offering.
Meanwhile, for anyone still interested in the storyline for THE EXCHANGE, here ‘tis as it appears on the book’s Amazon page…
Mitch McDeere has cheated death and come out the other side. Fifteen years ago, he stole $10 million from the mob and disappeared. Now, with his enemies jailed or dead, he has fought his way to the top of the biggest law firm in the world.
When a new case takes Mitch to Libya, danger awaits: he’s soon in the biggest hostage negotiation in recent history with terrorists who have murdered and will murder again. Their demand is staggering: a ransom of $100 million must be paid within 10 days.
But this isn’t a random kidnapping – it’s personal. And no one, not even Mitch’s wife in New York, is safe.
‘ANTIGRAVITY PROPULSION: Human or Alien Technologies?’ is a far-reaching exploration into the UFO phenomenon that covers all possible scenarios and discounts nothing.
With a foreword by advanced interstellar propulsion systems expert Grant Hayman and afterword by leading scientist and space industry veteran Dr. Takaaki Musha, one of the great enigmas of all time is examined with equal doses of open-mindedness and skepticism.
Director of the Advanced-Science Technology Research Organization in Yokohama, Dr. Musha is a former senior research scientist at Japan’s Technical Research and Development Institute of the Ministry of Defense, Japan. In his afterword, he writes: “This well balanced and unbiased book is long overdue for those searching for the truth about advanced technologies currently being concealed from the general populace by elite levels of governments.”
In her review of ‘Antigravity Propulsion’, former NASA engineer/manager Marcha Fox says, “I was particularly impressed by the unbiased, objective, journalistic views presented in this interesting book. The authors look at all angles and possibilities, allowing the reader to digest them on his or her own merits versus being nudged or sometimes shoved to the conclusions desired, as is the case of many such books.
“The authors assume that UFOs do indeed exist, a fact which is gradually being accepted as more evidence is released and credible witnesses continue to come forward. However, rather than assuming these strange vehicles are of extraterrestrial origin, the possibility is presented that perhaps not all of them are.”
(Marcha was employed by NASA’s Johnson Space Center in Houston, TX. She is now a sci-fi author of note).
Under the heading “Penal colonies in Australia come to life in an outstanding work of Historical Fiction,” respected US book critic Howard Lipman, PA, has this to say about our adventure-romance novel WHITE SPIRIT (A novel based on a true story):
“The Morcan team, Lance and James, invite us to consider the convict colonies of Australia, a little-known story for this American reader. The harsh cruel and brutal treatment of the inmates amidst an unforgiving climate, and environment reminds us how monstrous one group of human beings can be to another, but there is so much more to be considered in this very fine novel. (Cont’d below)…
“I didn’t realize what the Aboriginals of that time were like, and the insights that the Morcans present show initially that they ran the gamut between peaceful Spiritual tribes like the Kobi, to warring tribes and single individuals like ‘Tracker’ who have made themselves indispensable to the British. The Opium-taking, philandering Lord Cheatham, the ‘Commandant’ of the penal colony is a piece of work and amongst others if his kind is an unforgettable villain. There are certain compelling, merciful individuals in all of the cultural groups presented, from the British Military, the Convicts, the Aboriginals and more.
“John Graham, one of the strongest-willed of the convicts, Captain Tom Marsden, Moilo and Mambo of the Kobi Tribe stand out for me. Indeed this is really the story of John Graham, a convict who escapes, eventually finding refuge within the Kobi Tribe that accept him as one of their own. It’s a story that doesn’t pull any punches when describing the wretched conditions of the men in the penal colonies, but hope and spirituality are also presented within John’s joining of the tribe and his other experiences.
“I’ve read the Morcans’ work before, but consider this book to be one of the finest pieces of historical Fiction that I’ve ever read. Though based on a true story, it makes for a wonderful Historical narrative. Five stars, and two thumbs up for this outstanding work of Historical Fiction.”
Imagine our modern contemporary world. A world where giants, elves, dwarfs, ogres and trolls share an Earth we think only we inhabit. That’s the premise behind prolific English author John Morris’s intriguing STAR GAZER series of sci-fi novels.
The series includes two trilogies. The first one, titled Star Gazer First Trilogy, is mainly science fantasy and comprises The Gatekeeper and The Guardian, The Twelve Tribes and The Wrath of Gaia.
The first trilogy will especially appeal to those who share a desire for underground knowledge as it contains references to ancient technologies far more advanced than any currently in existence – technologies which may or may not have existed. That’s for the reader to decide.
The work is deeply researched and offers plausible answers based upon both known fact and folklore.
About the author
John Morris (68) is a self-published author whose life, he reveals, “crashed” about 20 years ago.
“I lost everything,” he says. “It took me a few months to come around, signing up for a BSc in computers to keep my mind active and find a new direction in life.”
Morris says he was fortunate to secure a position in Foshan, Canton, an hour or so from Hong Kong. He liked the place and the Cantonese people so much he decided to stay a while.
“Twenty years later and I’m still here! What a roller coaster. I became an entrepreneur involved with exporting containers of furniture to England and Australia. That ended with the crash of 2008 when everything imploded. Just my luck!
“I began writing a very badly-punctuated blog about my experiences, and got a lot better at writing with interest and humour. Fortunately, I secured the services of a very good content editor who taught me a great deal. So now I have seven books self-published, with five more in various stages of completion.”
Those five books include novels in the Star Gazer Second Trilogy.
Morris now manages his fiction book Imprint: Charlotte Greene, and although officially retired says he is now busier than ever.
In his Star Gazer series, he questions the origin of humankind, advising readers we have no direct palaeontological link with the great apes, and asking where we came from.
“Were we created by an alien race way back in prehistory? And what of myth and legend, of elves and dwarfs? Are they imaginary creatures, or vague remembrances of other lines of homo sapiens?”
For more about John Morris and his STAR GAZER novels go to the following links:
The eight books in our bestselling, somewhat contentious ‘Underground Knowledge Series’ cover details, concepts and little-known events not usually reported in mainstream media or mainstream academia, or if they are, they’re underreported for various reasons.
For the most part, we (the authors) have written about subjects that can be backed with facts. These facts include evidence substantiated in court cases, declassified government files, MSM reports and well-documented quotes from respected leaders in their fields. Wherever we do briefly deviate into pure speculation, we try to point that out so the dividing line between fact and rumor is always clear.
Many of the books have been regular visitors to Amazon’s bestseller lists in their categories.
Our entire ‘Underground Knowledge Series’ is available via Amazon.
The individual books (with Amazon links) are listed below:
Book 1: GENIUS INTELLIGENCE: Secret Techniques and Technologies to Increase IQ https://lnkd.in/gfA9K4Bg
Book 3: MEDICAL INDUSTRIAL COMPLEX: The $ickness Industry, Big Pharma and Suppressed Cures https://lnkd.in/gwFYBGJu
Book 4: The Catcher in the Rye Enigma: J.D. Salinger’s Mind Control Triggering Device or a Coincidental Literary Obsession of Criminals? https://lnkd.in/gbYBZmQg
Book 5: INTERNATIONAL BANKSTER$: The Global Banking Elite Exposed and the Case for Restructuring Capitalism https://lnkd.in/g9yzwQU
Book 6: BANKRUPTING THE THIRD WORLD: How the Global Elite Drown Poor Nations in a Sea of Debt https://lnkd.in/ez5W7uY
Book 7: UNDERGROUND BASES: Subterranean Military Facilities and the Cities Beneath Our Feet https://lnkd.in/gY9E6cd
Book 8: VACCINE SCIENCE REVISITED: Are Childhood Immunizations As Safe As Claimed? https://lnkd.in/grZuaS6F
Our Underground Knowledge global discussion group’s membership has topped 16,000 on Goodreads, confirming its status as one of the fastest-growing, most popular groups on the Amazon-owned site for books, authors, readers and all things literary.
The group has been designed to encourage debates about important and underreported issues of our era. All you need is an enquiring mind and a desire to gain or share underground knowledge.
So what is underground knowledge? Our definition is: Underground knowledge covers details, concepts and little-known events not usually reported in mainstream media (MSM), or, if they are, they’re underreported for various reasons. Nor are they usually covered by mainstream academia.
Our Underground Knowledge group is open to everyone no matter your beliefs or nationality, and all viewpoints are welcome. Undergrounders (our members) come from many walks of life and include award-winning authors, everyday readers, teachers and students, historians, scientists, military and former intelligence personnel, conspiracy theorists and agitators, Christians and non-believers, Islamists and Buddhists, and a lot more.Y’all welcome!
Book Publishers in New Zealand – Top Self-Publishing House in NZ
Morcan Books & Films 