Our thriller series The Orphan Trilogy dominates three of the top five most popular conspiracy fiction books listed in Goodreads.com’s favorite Intrigue Book Lists – alongside Dan Brown’s The Da Vinci Code and Angels & Demons.

The Da Vinci Code by Dan BrownAngels & Demons by Dan BrownThe Orphan Trilogy by James MorcanThe Ninth Orphan by James MorcanThe Orphan Factory by James Morcan

Conspiracy Fiction    677 books    —    293 voters

The Orphan Trilogy 3-in-1 box set comes in at #3 on the list while The Ninth Orphan and The Orphan Factory come in at #4 and #5 respectively.

Jurassic Park by Michael CrichtonThe Ninth Orphan by James MorcanThe Andromeda Strain by Michael CrichtonThe Hunt for Red October by Tom ClancySphere by Michael Crichton

Best Technothrillers Ever    346 books    —    266 voters

The Ninth Orphan occupies the #2 spot in the Best Technothrillers Ever category.

The Ninth Orphan by James MorcanTinker, Tailor, Soldier, Spy by John le CarréThe Boys from Brazil by Ira LevinFalse Impressions by Sandra NikolaiThe Zombie Room by R.D. Ronald

Tight Plot Novels    22 books    —    25 voters

It goes one better to finish at #1 in the Tight Plot Novels category.

The Orphan Uprising by James MorcanAgainst The Tide by John F. HanleyFiji by Lance MorcanIce Station by Matthew ReillyPatriot Games by Tom Clancy

Best Action-Adventure Novels    265 books    —    251 voters

The Orphan Uprising, book three in the trilogy, tops the best Action-Adventure Novels category. Our historical adventure-romance, Fiji: A Novel, comes in at #3 on that list (above). The Orphan Uprising is also #2 in the Most Violent Action Novels category (below).

Wild Hearted by Lea BronsenThe Orphan Uprising by James MorcanBurden of Sisyphus by Jon MessengerMonster Hunter International by Larry CorreiaStorm Front by Jim Butcher

Best violent action novels    65 books    —    124 voters

(The above listings are current as at 29 August, 2013. They change daily).

There’s a ton of recommended reading on Goodreads.com’s favorite Intrigue Book Lists. For the full list go to: http://www.goodreads.com/list/tag/intrigue

 

Happy reading! –Lance

 

************************************************

Truthdig.com movie reviewer Richard Schickel reckons Woody Allen’s latest movie, “Blue Jasmine”, starring Cate Blanchett, is one of his best.

Woody Allen has done it again.

In a perceptive review in the Arts & Culture columns of that must-subscribe-to online site, Truthdig.com, Schickel says, “…this (film) is one of his best—sober, sometimes excoriating, likely lingering in its effect…People grow and change if they’re lucky. And Allen is, among other things, lucky. Imagine—77 years old and still making movies as good as “Blue Jasmine,” when most directors his age are out of work or collecting dubious awards.”

Excerpts of Schickel’s review follow:

When we meet Jasmine French (Cate Blanchett) at the beginning of Woody Allen’s new movie, she is, with the help of booze, pills and endless monologues, in distress. She is alarmingly close to a full-scale breakdown. By the end of “Blue Jasmine,” she has, of course, gone completely around the bend.

Blanchett as Jasmine French in Blue Jasmine.

It was not always like this with her. Once, not long ago, she was rich. Now she is reduced to living humbly with her sister Ginger (Sally Hawkins) in a very tight apartment. Once, the idea of working for a living could be dismissed with the wave of a careless hand. Now she’s lucky to have a job—at which she’s terrible—as a receptionist in a dentist’s office. Once, she had a glamorous marriage (to a splendidly slippery Alec Baldwin, no less). He has become a major actor, without anyone especially noticing how good he is.

Alec Baldwin “splendidly slippery”

The men who slide in and out of Jasmine’s life are a dismal lot. You can’t imagine any former life in which she would manage more than a few words of strained politeness with them. So what we have here are the makings of a great performance, which Blanchett delivers. I’m not someone who regularly proclaims Oscar nominations this early—or ever, for that matter. But this is one of them. She is, putting it mildly, strung tight—lost, quivering, a woman of interior and exterior dialogues aimed at getting a grip on herself. Sometimes it seems as if that may actually happen. But she always falls back in disarray.

It gives nothing away to say that the movie arrives at an end that you can pretty much see coming from its first reel. We leave her muttering to herself without a hope in hell of finding her way back to something like what? Not sanity, surely, because sanity has never been an issue with her. She’s really just an everyday neurotic, the kind of person you more or less avoid, if possible. Or to whom you give the shortest possible shrift. Blanchett is up for all of this. This is a wonderfully shifty performance—full of nervous laughter, devious strategies, no small amount of desperation, and moments of slightly eerie calm. There are also violent confrontations, which startle and discomfit you.

For the full review go to: http://www.truthdig.com/arts_culture/item/woody_allens_latest_shows_hes_still_got_it_20130802/

 

Woody Allen on the set of Blue Jasmine

*************************************************

 

Our British thriller feature film SILENT FEAR was inspired by the murders of two deaf students at America’s prestigious Gallaudet University for the Deaf, in Washington, some 13 years ago.

Gallaudet University

It was a case that gripped America from the time of the first murder, in September 2000, until an arrest was made following the second murder some five months later. Washington Metropolitan Police didn’t know if it was an ‘inside job’ and for a time nearly everyone connected to Gallaudet was under suspicion.

Signing in class at Gallaudet

A copy of a 2001 CNN report on the murder investigation follows:

Suspect arrested in Gallaudet murders

February 13, 2001

WASHINGTON (CNN) — A suspect has been arrested in connection with the murders of two students at Gallaudet University, police said Tuesday.

Washington Metropolitan Police Chief Charles Ramsey said 20-year old Joseph Mesa, a freshman at the university for the deaf, was charged with two counts of felony murder for the deaths of Benjamin Varner, 19, whose body was found February 3, and Eric Plunkett, also 19, who was killed in September.

Ramsey said the motive for the murders was robbery.

“We have sufficient evidence to charge him with two counts of felony murder,” Ramsey said.

Mesa will be arraigned Wednesday in District of Columbia Superior Court.

Varner, of San Antonio, Texas, died of multiple stab wounds to his face and body. Plunkett, of Burnsville, Minnesota, was beaten to death. He suffered from cerebral palsy.

Dr. I. King Jordan, president of Gallaudet, said there is a sense of relief that the suspected killer has been caught.

“At the same time, there’s a real sense of sadness that the individual who is said to be responsible for this is from our community,” Jordan said.

Both students were killed in Cogswell Hall, which will remain closed for the remainder of the semester, university officials said. Mesa lived in the dorm next to Cogswell Hall.

Another killing occurred at Gallaudet in 1981, when a male student stabbed his boyfriend to death after a heated argument. The murderer was sentenced to 15 years in prison.

Gallaudet, was founded partly by President Abraham Lincoln nearly 140 years ago.

When first heard about the murders, it inspired us to write the SILENT FEAR screenplay. We found the idea of a serial killer at large in a university for the Deaf chilling and we immediately recognized it was high concept and tailor-made for gripping cinematic viewing.

While SILENT FEAR could be set just about anywhere in the civilized world, we’ve chosen to set it in London. In the London borough of South Kensington to be exact. We believe the thriller genre suits London and this story has a very British feel to it. That said, we are confident it will appeal to audiences worldwide – both normal hearing and Deaf audiences.

Here’s the SILENT FEAR premise in brief:

Scotland Yard detective Valerie Crowther is assigned to investigate the murder of a student at London’s Wandsworth University for the Deaf. Her investigation coincides with a student contracting a deadly flu virus, which results in the university being sealed off from the outside world. When more deaf students are murdered, it’s clearly the work of a serial killer. The stakes rise when Valerie becomes the killer’s next target and the deadly virus claims more lives.

Here’s our teaser trailer for SILENT FEAR: http://youtu.be/Ll9O9dedd44

New Zealand producers Brent Macpherson, of Stretch Productions, and Ronel Schodt, of Shotz Productions, aim to shoot SILENT FEAR on location in London as a likely 3D production in 2014. They welcome expressions of interest from experienced British producers interested in collaborating on this highly commercial feature film project as well as from A-List directors interested in helming it.

http://pro.imdb.com/title/tt1935228/

http://stretchproductions.co.nz/

www.shotzproductions.co.nz

 

*************************************************

 

One not-so-flattering book reviewer labelled Fiji: A Novel, our historical adventure-romance, “a bodice-ripper” and took umbrage with the amount of sex that features in it.

We maintained, and still maintain, it’s impossible to accurately portray life in exotic 19th Century Fiji, or anywhere in the South Pacific for that matter, without showing these were – how can I put this delicately – lustful times.

Thankfully, most reviewers of Fiji believe we’ve captured the era beautifully.

The Kindle Book Review (UK) describes Fiji as “A perfect combination of romance and action.”

Great Historicals Book Reviews says it’s “A gripping and graphic story of historic Fiji.”

Random Writings Book Reviews, of Suva, Fiji, gave it “5 stars because that’s the maximum allowed.”

Here’s one of my favorite passages from Fiji. It captures some of the cultural differences Europeans of the day encountered when they came into contact with the local Fijians…

As the day drew to a close at Momi Bay, Nathan wandered around the village observing the Qopa preparing their evening meals. Aware he was a guest of their ratu, the villagers greeted him with smiles. Their greetings were genuine. Word had already spread that the vulagi was bringing muskets to their village.

Nathan forced himself to respond in friendly fashion to the villagers. He viewed this pre-trading time simply as a charade he had to endure.

The American flinched involuntarily as he watched two young men barbecuing a large leatherback turtle over an open fire. Writhing and hissing futilely, the turtle struggled until it finally succumbed to the heat. Nearby, family members roasted a pig in a lovo, an underground oven comprised of heated stones. Nathan noticed an old man tending the pig was using a large bone that looked suspiciously like a human femur.

                 

Nearby, teenage boys expertly split coconut shells on the sharpened end of a stake in the ground. Their mother rebuked them, slapping the oldest on his bare back when some of the milk spilled out of the shells.

Looking around, Nathan observed armed lookouts patrolling the village perimeters. Above them, rain clouds threatened, reminding him the wet season was approaching. Again, he studied the strange structure that sat atop four high poles near the meeting house and wondered what it contained that was so valuable it needed guarding around the clock. A new guard paced up and down in front of it, spear in hand.

Glancing at the nearby mission station, Nathan’s thoughts strayed to Susannah. Apart from a flickering light that shone from the mission house windows, the station was already in darkness. He wondered how Susannah and her father were passing their time and what they’d be talking about.

Iremaia suddenly appeared in the open doorway of his large bure. Seeing Nathan, he beckoned to him to join him. Nathan hurried over and followed the old ratu inside. There, he found a cooking fire crackling in the center of the gloomy, smoke-filled bure. Its flames lit up the faces of Iremaia’s clan, who included his four wives and an assortment of relatives of all ages.

           

The unwelcoming Joeli was among them. Akanisi, the ratu’s first wife and mother of Joeli, supervised two slave girls who were tending the fire. There was so much laughter and chatter nobody could hear themselves speak. Nathan was greeted with welcoming smiles from all except Joeli. It was almost as if the ratu’s son sensed the true intentions that lay behind Nathan’s ready smile. The American worried that Joeli was going to be an obstacle to his forthcoming trade.

Looking around, Nathan saw that, even here, there was evidence of past conflicts. Several shrunken heads hung from the thatched roof and traditional weapons of various descriptions lay scattered around.

Iremaia motioned to Nathan to sit next to him. Sitting down, he noted the dirt floor was covered in mats woven from pandanus leaves. Marveling at their beautiful colors, he would learn later the effect was achieved by burying the leaves in mud and laboriously boiling them with other plants. Parrot feathers lined the outsides, adding to the colorful effect.

Generous helpings of steaming hot yams, sweet potatoes, and shellfish were carried in by slaves from the lovo outside. Diced raw fish was added and coconut cream was poured over the food, adding to its tantalizing appearance and aroma.

Selaima, a fetching slave girl who looked about sixteen but was in fact twenty, served the food in wooden bowls carved from the timber of some of the numerous varieties of trees that flourished in the region. She served Iremaia first, then Nathan, smiling openly at him as she did so.

After dinner, the men drank kava while Selaima and several other girls entertained them by performing a meke, or traditional dance. Wearing only grass skirts, their nubile bodies gleamed in the firelight as they danced to the beat of a hollowed-out log that served as a drum. The accompaniment was provided by two men who, using the palms of their hands, expertly pounded out an ancient rhythm.

Nathan watched, entranced, as the smiling dancers performed. Glancing at his companions, he saw they, too, were entranced. To a man, they appeared to have eyes only for Selaima. Studying the slave girl, he could understand why: she was very easy on the eye—especially while performing an erotic dance as she was now.

The American was beginning to feel the effects of the kava he’d been drinking. He’d forced himself to partake of the vile liquid in order not to offend Iremaia. Already his lips were numb and his brain felt like it was going the same way.

The rain that threatened earlier arrived with a vengeance as it only can in the tropics. It beat a steady tattoo on the bure’s roof, threatening to drown out the sound of drumming. The drummers responded by intensifying their efforts and the dancing became frenetic as the dancers tried to keep pace.

Watching the semi-naked girls dancing, Nathan’s thoughts strayed to Susannah and he wondered what her naked form looked like.

 

*    *    *

Fiji: A Novel is available via Amazon as a trade paperback and Kindle ebook at: http://www.amazon.com/dp/B0057YCZM0/

 

Happy reading! –Lance

 

**********************************************

 

Our conspiracy thriller The Ninth Orphan (The Orphan Trilogy, #1) has achieved another milestone, amassing forty 5-Star reviews on Amazon.

The latest Amazon reviewer, Grace H. Busch, of Brazil, says:

Good suspense the whole time. I had difficulty going to bed at night because I wanted to see what would happen.

In The Ninth Orphan, an orphan grows up to become an assassin for a highly secretive organization. When he tries to break free and live a normal life, he is hunted by his mentor and father figure, and by a female orphan he spent his childhood with. On the run, the mysterious man’s life becomes entwined with his beautiful French-African hostage and a shocking past riddled with the darkest of conspiracies is revealed.

But can the ninth-born orphan ever get off the grid? To find out you’ll need to go on a tumultuous journey around the globe to such far-flung locations as China, France, the Philippines, Andorra, America, England, Germany and French Polynesia. The frenetic cat-and-mouse chase moves from airports to train stations and hidden torture prisons, taking the reader on a shocking, nail-biting ride into the world’s closet of skeletons that goes beyond conspiracy theories to painful reality.

Fast-paced, totally fresh and original, filled with deep and complex characters, The Ninth Orphan is a controversial, high-octane thriller with an edge. Merging fact with fiction, it illuminates shadow organizations rumored to actually exist in our world. The novel explores a plethora of conspiracies involving real organizations like the CIA, MI6, and the UN, and public figures such as President Obama as well as the Clinton, Marcos and Bush families.

Tackling genetic selection, mind control and secret societies, The Ninth Orphan exposes a global agenda designed to keep the power in the hands of a select few. The novel’s antagonists are members of a shadow government acting above and beyond the likes of the White House, the FBI, the Pentagon and the NSA. Could something like this ever take place? Or, is it already taking place right now?

This unique and unpredictable thriller also has a poignant, romantic sub-plot. The story contains the kind of intimate character portraits usually associated with psychological novels.

*   *   *

The Ninth Orphan (The Orphan Trilogy, #1) is available as a trade paperback and Kindle ebook via Amazon at: http://www.amazon.com/dp/B0056I4FKC

 

Happy reading! –Lance

 

**************************************

 

This week’s review of our coming-of-age spy thriller The Orphan Factory (The Orphan Trilogy, #2) in Chicago web publication Gapers Block has thrown the spotlight on Chicago.

Chicago, the ‘City of the big shoulders’ as hometown poet-made-good Carl Sandburg once called it, is home to the twenty-three orphans who are raised in Chicago’s Pedemont Orphanage. It’s not just any orphanage. It’s home to genetically-engineered orphans who are raised to become the deadliest intelligence operatives the world has ever seen. Their purpose? To help the clandestine Omega Agency achieve its dream of establishing a New World Order.

     

If reader response is anything to go by, Chicago-ites seem to resonate with The Orphan Factory. Not surprising given their hometown figures so prominently in this novel.

The novel’s prologue sets the scene. Have a read and enjoy…

 

Prologue

An old vagrant hummed tunelessly to himself as he warmed his bony hands over a fire he’d lit minutes earlier in a drum long since blackened by perhaps a hundred such fires. Certainly more fires than he, or any of his street cronies, could remember. He stopped humming when, across a busy thoroughfare, a gravel-voiced busker began reciting poetry.

“Stormy, husky, brawling,” the busker rumbled. “City of the big shoulders.” He was reciting verse from the works of hometown poet-made-good, Carl Sandburg. The poem was appropriately titled Chicago. “Come and show me another city with lifted head singing so proud to be alive and coarse and strong and cunning.” The busker, a long-haired Vietnam veteran whose only concession to his military past was his VSM service medal which he still wore with pride, looked directly at the old vagrant opposite.

The vagrant imagined the busker smiled at him, though he couldn’t be sure in the fading early evening light. Even so, he flashed a toothless grin in the other’s direction.

Soon, the old man was joined by half a dozen street pals. All homeless like him, they appeared like disheveled ghosts out of the shadows, attracted partly by the warmth of the fire and partly by the busker. They listened intently to the poet’s words that flowed effortlessly from the busker’s mouth. Words that painted images so vivid in their minds it was as if the men were watching a kaleidoscope of their own youth.  

“Under the smoke, dust all over his mouth, laughing with white teeth,” the busker continued. “Under the terrible burden of destiny laughing as a young man laughs.”

Several passersby paused to listen, but none bothered to drop a donation into the hat that lay at the busker’s feet. Finally, as the busker finished his recital, a business executive threw a quarter into the hat without breaking stride. Encouraged, the busker launched into another Sandberg poem.

Listening to the busker delivering further verses about his beloved Windy City, the old vagrant couldn’t help but note the irony: there wasn’t a breath of wind on this still Chicago evening.

The vagrant’s parents had always assured him the city’s misleading nickname had nothing to do with the weather. His mother had insisted the Windy City label came from the longwinded speeches given by the city’s Nineteenth Century politicians, while his father claimed the moniker had been mischievously bestowed by competitive New Yorkers in their attempt to win the World Trade Fair of 1893.

To add to the contradictions, even though it was February, it was an unusually mild winter’s evening. The vagrants gathered around the fire warming their hands did so more out of habit than necessity on this occasion.

Chicago’s streets were busy and the mood downtown was fairly upbeat. President Jimmy Carter was due to visit the city and greater Illinois the following day. Word had spread: the President would be here soon, and come hell or high water he was going to receive a right, royal Illinois welcome.

As Chicagoans went about their business, hurrying home after a long day at the office or heading out to sample the city’s nightlife, none were remotely aware of the sinister, Nazi-like experiment taking place virtually under their noses.

Despite the experiment’s seventy five million dollar price tag, only a select few knew about it. Those in the know did not include the city’s Mayor or any state politicians; at Federal level, not even the President knew about it.

The experiment was taking place in a laboratory in the concealed basement of a renovated warehouse just off North Michigan Avenue. Seven pregnant women were in various stages of labor in the lab that served as a makeshift maternity hospital.

Like some Orwellian nightmare, the women were giving birth in clockwork-like fashion, almost in unison.

Small teams comprised of doctors and white-coated geneticists assisted the women. A specialist induced latecomers. In the lab’s far corner, two suited men looked on expectantly.

The numerous personnel in attendance were all in the employ of the Omega Agency, a recently formed and highly secretive outfit which would one day become the world’s most powerful shadow organization.

Supervising the eerie experiment was Omega’s own Doctor Frankenstein – better known as Doctor Pedemont, the brilliant biomedical scientist responsible for the radical science behind it. Over the past few years, with the help of his team of geneticists, Doctor Pedemont had painstakingly selected the fetus’ genes from thousands of sperm donations combined with the genes of his female subjects. The donations had come from another medical experiment referred to as the Genius Sperm Bank.

The motivation behind the Genius Sperm Bank, which had been initiated over a decade earlier, was to advance the breeding of super-intelligent people. The bank was stocked full of semen donations solicited from many of the world’s most intelligent men.

Benefiting from the efforts of some of Omega’s elite operatives, Doctor Pedemont had unlawfully obtained hundreds of samples from the Genius Sperm Bank. Then, taking the best of the sperm donations, he’d artificially inseminated the very women who were now in the process of giving birth. This meant each child that was about to be born effectively had one mother and numerous fathers.

The legalities of the entire operation were of no concern to Omega. Although still in its formative stages, the agency was already above the law.

A tense Doctor Pedemont and three geneticists fussed over the first mother-to-be, a young redheaded woman, as she entered the final stages of labor. The two suits observing from afar waited anxiously as the geneticists used advanced scientific equipment to monitor the birth.

The redhead gave birth to female twins. They arrived six minutes apart. Doctor Pedemont picked up the first twin. After removing the umbilical cord, he placed the newborn baby on a set of scales. “Number Five,” he announced. “Born 7.43 pm. Weight seven pounds, thirteen ounces.”

One of the geneticists recorded the doctor’s findings in a file labeled Number Five. Sadly, this would be the closest the girl would ever have to a real name.

Doctor Pedemont gave the baby to another geneticist then grabbed her newborn sister and weighed her. “Number Six. Born 7.49 pm. Weight seven pounds, one ounce.”

The advent of twins was no accident, of course. Their arrival had been planned for, like everything else that occurred within the Omega Agency.

The next baby was born minutes later to an African-American woman. It was a boy who was clearly of African descent. However, he had a much lighter skin tone than his mother, indicating most or all of the sperm donations inseminated into the woman were taken from Caucasian men.

“Number Seven,” Doctor Pedemont announced. “Born 7.56 pm. Weighs exactly five pounds. A few weeks prem, but is perfectly healthy.”

Because Number Seven was a premature birth, one of the geneticists immediately placed him in an incubator. Number Eight, who was born quarter of an hour later, was a healthy girl of Oriental descent.

When Number Nine was born, the mother, a beautiful dark-haired woman with striking green eyes, reached out to Doctor Pedemont to indicate she wished to hold the boy she had just birthed. The doctor looked around enquiringly at the two mysterious suits who remained in the corner. After discussing it between themselves, the older of the two nodded.

Doctor Pedemont looked back at the newborn’s mother cautiously. “You know you’ll never see him again, Annette?”

Annette nodded forlornly. She fully understood the ramifications of her agreement with the Omega Agency. Doctor Pedemont reluctantly placed Number Nine in Annette’s arms. The baby boy reached out and placed his tiny hand on the ruby that hung from a silver necklace she wore.

“Sebastian,” Annette whispered tearfully as she looked into her son’s eyes. “I name you Sebastian, after my father.”

Anxious to avoid further bonding between mother and son, Doctor Pedemont took Number Nine from Annette and handed him to one of the geneticists who, without ceremony, jabbed a needle into the boy. Predictably, Nine started screaming. His mother looked on resignedly.

Later that night, two more boys and another girl were born. Like Number Nine, all three were Caucasian.

As Number Twelve, the last of the newborns, was weighed, the two suits approached a relieved Doctor Pedemont. They looked more relaxed now. The older of the two, a short, stocky, dapper individual with heavily pock-marked skin, reached for the doctor’s hand and shook it firmly. This was Andrew Naylor, the Omega Agency’s hard-nosed director who was known for his foul temper as well as for his lazy eye, which never quite managed to focus on whomever he was addressing at the time.

“Congratulations, doctor,” Naylor mumbled without even a hint of a smile.

“Thank you,” a beaming Doctor Pedemont responded, taking care to avoid eye contact with Naylor as he found the other’s lazy eye highly disconcerting.

Naylor’s companion, Special Agent Tommy Kentbridge, patted the doctor on the back in congratulatory fashion. “Well done,” Kentbridge said. Tall and ruggedly handsome – physically the polar opposite of Naylor – the special agent was one of Omega’s young stars. As a field operative, he had the sort of record most agents twice his age would be proud of. Although only in his early twenties, Kentbridge had been assigned to manage the products of this agency experiment. Like it or not, he would be the nearest to a father any of them would have.

It was a long-term experiment and no-one knew exactly what the outcome would be. The experiment was known in Omega circles as The Pedemont Project

 

The Orphan Factory (The Orphan Trilogy, #2) is available via Amazon as a Kindle ebook: http://www.amazon.com/dp/B008M9WWKW/

For more info about The Orphan Trilogy (The Ninth Orphan / The Orphan Factory / The Orphan Uprising), go to: http://www.youtube.com/user/SterlingGateBooks

 

Happy reading! –Lance

 

*********************************************

 

TITANIC director James Cameron waxed lyrical about the future of 3D in a recent BBC interview, stating it’s “absolutely inevitable that entertainment will all be 3D eventually”.

Cameron sees bright future for 3D

If he’s right, this bodes well for our British thriller SILENT FEAR, which is to be shot on location in London next year. It’s likely to be released in the three-dimensional format.

However, depending on who you talk to, it seems the jury’s still out on the future of 3D in movies.

In an interesting report in Indiewire.com’s The Playlist this week, columnist Kevin Jagernauth says the 3D format has been taking some blows at the box office, with North American crowds favoring regular old 2D for the majority of their viewing experience.

Here’s some excerpts (abridged) from that report:

To 3D or not to 3D, that is the question, and lately…the format has been taking some blows at the box office, with North American crowds favoring regular old 2D for the majority of their viewing experience. This summer, only 25% of total domestic ticket sales of Dreamworks’ animated film “Turbo” came from those uncomfortable glasses, with 31% of sales for “Monsters University” in 3D, and only 34% for Brad Pitt’s biggest grossing movie ever, “World War Z.”

Brad Pitt plays Gerry Lane, an ex-UN investigator

World War Z’s 3D sales down

But don’t tell that to James Cameron, who sees only a bright, three-dimensional future for the format…

Chatting recently with the BBC, the director made it clear that 3D is here to stay. “For me it’s absolutely inevitable that entertainment will be 3D, it’ll all be 3D eventually, because that’s how we see the world,” he said, adding: “When it’s correct and convenient for us, we pre-select for that as the premium experience.”

Avatar an Oscar star

From an industry perspective, he (Cameron) points to the fact that three out of the last four Cinematography Oscars went to 3D movies (“Avatar,” “Hugo” and “Life Of Pi”). And though he acknowledges that “bad conversion” has “polluted” the experience for man—not to mention a handful of cable networks dropping channels broadcasting in 3D recently—Cameron ultimately believes the technology, product and consumer desire for 3D will all dovetail eventually into a perfectly synchronized harmony of success.

And while Cameron’s comments might seem wildly out of touch with what audiences are clearly voting for at the box office, it should be noted that overseas 3D is still huge, with 80-90% of tickets moviegoers in Russia and China choosing to put on the glasses. And as long as that’s the case, 3D isn’t going anywhere…

…There is probably no bigger cheerleader on the planet for 3D than James Cameron, but he’s also been the loudest voice when it comes to half-hearted, unartistic use of the format…

…”I do not think Hollywood is using the 3D properly…because it is automatic. For example, ‘The Man of Steel,’ ‘Iron Man’ and all those movies should not necessarily be in 3D. If you spend 150 million on visual effects, the film is already going to be spectacular, perfect.” You would think that the same logic would apply to Cameron’s already expensive “Avatar,” but it was shot in 3D, whereas the superhero flicks were conversion jobs, and that’s where the difference lies.

“One thing is shooting in 3D and another to convert to 3D. After ‘Avatar’ changed everything, good and bad movies, everything has to be in 3D since ‘Avatar.’ The problem I see now is that instead of it being a filmmaker issue is a matter of the studios to make money and are pushing 3D to directors who are not comfortable or do not like 3D,” Cameron elaborated.

For the full article go to: http://blogs.indiewire.com/theplaylist/director/james-cameron

 

Footnote: SILENT FEAR’s New Zealand producers Brent Macpherson, of Stretch Productions, and Ronel Schodt, of Shotz Productions, welcome expressions of interest from A-List directors as well as from experienced British producers interested in collaborating on this highly commercial feature film project.

http://pro.imdb.com/title/tt1935228/

http://stretchproductions.co.nz/

www.shotzproductions.co.nz

*************************************************

In this week’s edition of Chicago web publication Gapers Block, Book Club reviewer Kathryn Pulkrabek says:

Reading, writing, and espionage? It’s back to school for 23 genetically-altered orphans being trained as cold-hearted assassins as part of the shadowy Omega Agency’s Pedemont project in The Orphan Factory by James Morcan and Lance Morcan.

Beginning in a Chicago warehouse in the 1970s, this prequel to the Morcans’ The Ninth Orphan recounts the origins of Number Nine, the spy who will eventually rebel against Omega and live life on the run. The inclusion of actual events (such as the Jonestown massacre and Bill Clinton’s presidential election) lends authenticity to the story, while the ease in which they are manipulated by Omega shows that seeing is not necessarily believing– an eerily relevant lesson in our media-saturated world.

The Orphan Factory (The Orphan Trilogy, #2) is available via Amazon as a Kindle ebook at: http://www.amazon.com/dp/B008M9WWKW/

It’s one of several young adult novels reviewed in Gapers Block’s Book Club this week. To view them all go to: http://gapersblock.com/bookclub/2013/08/20/in_the_the_book_of/

 

Happy reading! –Lance

 

**************************************************

 

If you are seeking stimulation in the literary, arts and humanitarian fields, or just in life generally, allow me to introduce you to ‘Remy Benoit writing on all things’ – a new blog site guaranteed to stimulate.

Miz’ Remy, as she likes to be called, is an historian, author and long time veteran advocate from the USA’s deep south.

Here’s a smattering (excerpts only) of topics covered on Mis’ Remy’s blog. To view them in their entirety go to: http://remybenoit.wordpress.com/

remybenoit

writing on all things

Attention: Children and grandchildren of Viet Nam Veterans

Please look into this, file this form, post comments and make the powers to be understand the legacy you have been left with. Responsible action must be taken.

Visit with Agent Orange Legacy, now, please!

http://agentorangelegacy.blogspot.com/2013/05/important-message-to-children-of.html

This time stand with the Nez Perce

When I used to teach about the fight between the cavalry and the Nez Perce, the young people would be outraged at such senseless destruction over a 1500 mile range of pursuit and fighting. Chief Joseph made a speech that went to the heart of the matter amidst the cold snow, ice, and slaughter:

Tell General Howard I know his heart. What he told me before, I have it in my heart. I am tired of fighting. Our Chiefs are killed; Looking Glass is dead, Ta Hool Hool Shute is dead. The old men are all dead. It is the young men who say yes or no. He who led on the young men is dead. It is cold, and we have no blankets; the little children are freezing to death. My people, some of them, have run away to the hills, and have no blankets, no food. No one knows where they are – perhaps freezing to death. I want to have time to look for my children, and see how many of them I can find. Maybe I shall find them among the dead. Hear me, my Chiefs! I am tired; my heart is sick and sad. From where the sun now stands I will fight no more forever.

Image

Chief Joseph

An Interview with Robert Foley: The Consequences of Playing God

Mr. Foley has written a seminal work on the state of education in our country. It is a book everyone who cares about our children and their education should read. As I turned page after page of his exquisite writing, my mind kept going back to two decades as a teacher and remembering people and situations so close to the tale he is telling and you should be reading. You will find his book and my review here. Do put it on your must read list! Consequences of Playing God.

Now, to the interview with his publisher at XLibris.

Robert Joseph Foley is a retired teacher. He spent 34 years teaching in an urban school district and for most of those years was an active representative of the Yonkers Federation of Teachers. He has previously published a poetry collection – “These Little Poems of Death and after Life” – and is currently working on securing production for two as yet unpublished plays. He currently works as a free lance writer and proofreader for several independent publications.

Do you have any particular literary influences that help you develop writing in your genre, subject, and style?

I cannot pinpoint any particular writer who has influenced me; actually, I have developed what I think is a unique style that is probably the sum of all my reading experiences. Favorite writers range from Joyce Carol Oates back to Dostoevsky and Charles Dickens.

Who is Miz’ Remy?

Hello,

Like all of you, I am many things.

A mother.

A writer, editor, publisher. http://www.niquahanam.com/writing

Editor for the West Point Class of 1968. Two volumes: Both Sides of the Wall Reflections of the West Point Class of 1968

An historian.

A long time veteran advocate. http://www.welcomehomesolider.com

A book reviewer.

A gardener.

An activist who treasures life on this planet for which we are caretakers.

Do yourself a favour and visit ‘Remy Benoit writing on all things’ blog at http://remybenoit.wordpress.com/   –Lance

**********************************************

English has become a peculiarly capitalist language, according to The Guardian columnist Owen Hatherley, author of Militant Modernism.

In a recent article in The Guardian, Hatherley says researchers at the University of California Los Angeles proved there has been an ever-increasing use of particularly acquisitive words in the English language.

Picture of Owen Hatherley

Owen Hatherley

Here’s some excerpts from Hatherley’s article:

They (the researchers) used the somewhat blunt instrument of feeding 1.5m English-language books into Ngram Viewer, a tool that catalogues phrase usage, in order to count the frequency that words were used. The results proved that over the last 200 years there has been an ever-increasing use of particularly acquisitive words: “get”, “unique”, “individual”, “self”, “choose”; while over the same period “give” and “obliged” decreased.

The pattern was only broken briefly in the relatively egalitarian years between the 40s and 70s. For the researchers, this shows the results of the English-speaking countries moving from “a predominantly rural, low-tech society to a predominantly urban, hi-tech society…

…What has happened over those 200 years was the rise to dominance of capitalism, which obviously changed, and changes, our language and thinking. The researchers discovered a more algorithmic and superficial version of something that the Welsh socialist writer Raymond Williams had already tried to uncover – the way that English had become a class language, where loaded words (and, as he often pointed out, pronunciations) were accepted as “standard”.

books

In Culture and Society (1958) Williams forced the reader to think about certain keywords whose meaning was usually assumed: “class”, “democracy”, “art” and “industry” were old terms which had acquired almost entirely new meanings. Over the same 200 years studied by the LA researchers, “artist”, for instance, had gone from meaning “a skilled person” to signifying “a special kind of person”, working in the “imaginative” or “creative” arts.

In The Long Revolution (1961), Williams left literature behind to find the roots of class discourse in the English language itself, where French and Anglo-Saxon words were always weighted differently: “we can trace the minor relics of class prejudice in the lasting equation of moral qualities with class names: base, villain, boor and churl for the poor” – mostly terms suggesting “low” birth – while “gentle”, “proud” and “rich” were aristocratic terms of French origin (from gentil, prud and riche)…

…Even a word as central to the current debate as “austerity” comes with its own bias: originally from the Old French austerite meaning “harshness or cruelty”, it carries in Britain also a positive meaning, being associated with the self-restraint at the expense of the public good which was required by the wartime economy, when nowadays it is used to justify policies that effect the exact opposite. But to reveal the pernicious assumptions behind these professedly innocuous words will take more than a sophisticated search engine.

 

For the full article go to: http://www.theguardian.com/commentisfree/2013/aug/11/capitalism-language-raymond-williams

 

**********************************************